Apocalypse Now: Final Cut – To Release In IMAX Theatres Nationwide 23 August 2019

Francis Ford Coppola’s exhilarating masterpiece returns to the big screen in all its cinematic glory with a striking brand-new 4K, Dolby Atmos©, Dolby Vision© version

To celebrate the 40th anniversary of the Oscar-winning Vietnam cult war epic this summer, Gravel Road Distribution Group will release a special, never-before-seen cut, restored with breathtaking realism by Coppola himself, to the highest and finest audio and visual standards, for a truly visceral cinematic experience.

Forty years after its original release, South African audiences will get the chance to experience Apocalypse Now: Final Cut, a never-before-seen and newly restored cut of Coppola’s spectacular cinematic masterpiece in a way which the director believes “looks better than it has ever looked and sounds better than it has ever sounded”. Coppola said that he is “thrilled beyond measure to present the best version of the film to the world.” It will release in all seven (7) IMAX theatres in Gauteng, the Western Cape and Kwa-Zulu Natal, from 23 – 29 August 2019.

Restored from the original negative for the first time ever, Apocalypse Now: Final Cut is Coppola’s most complete version of his multi-awarded classic, a haunting journey into madness that fascinated generations of movie lovers and now feels even more monumentally alive than ever before. Ranked as one of the best films of all times, the film stars Marlon Brando, Robert Duvall, Martin Sheen, Albert Hall, Laurence Fishburne, Harrison Ford, G.D. Spradlin, Dennis Hopper, Sam Bottoms and Frederic Forrest.

Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Awards® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Best Supporting Actor and the Palme d’Or in Cannes. Starring Academy Award winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globewinner Martin Sheen (2001, Best Actor – TV Series, “The West Wing”), Academy Award nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award nominee Laurence Fishburne (1993, Best Actor, What’s Love Got to Do with it), and Academy Award nominee Harrison Ford (1985, Best Actor, Witness).

The film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost.

The best visual and sound technologies have been used to present Coppola’s true vision of the film: one that delivers deep, visceral visual and auditory impact. “The audience will be able to see, hear and feel this film how I always hoped it could be—from the first ‘bang’ to the final whimper” said Coppola.

This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film’s 300,173 frames. The Apocalypse Now: Final Cut restoration has been brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker.

Apocalypse Now Final Cut has been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories’ newly developed Sensual SoundTM, a technology engineered to output audio below the limits of human hearing.

The film premiered at the Tribeca Film Festival on 28th April 2019 and will celebrate its 40th anniversary in the following IMAX theatres, in South Africa on 23 August 2019: Bay West, Cape Gate, Cradlestone Mall, Eastgate, Gateway, the Grove and Mall of Africa.

SYNOPSIS: APOCALYPSE NOW

Apocalypse Now is a retelling of Joseph Conrad’s short classic Heart of Darkness, set in 1969 during the Vietnam War. The story traces the journey of a special forces captain (Willard) through the violent combat zones of Vietnam on a secret assignment to terminate the life of a field commander called Kurtz, who has set up a ruthless dictatorship. As Willard travels through the insanity and absurdities of the American involvement in the war, he is more and more drawn to the jungle itself, its primeval mystique and immense power…

ABOUT GRAVEL ROAD DISTRIBUTION GROUP:

Gravel Road Distribution Group is a Cape Town based entertainment company that focuses on sales and distribution of quality filmed content across all market channels, in all territories.

Blinded By The Light In South African Cinemas From This Weekend

The crowd-pleasing, heartfelt and emotionally gripping film, BLINDED BY THE LIGHT, featuring the music of Bruce Springsteen is a joyride about the ways in which music can change our lives – especially during the advent of adolescence. It is distributed by Filmfinity (Pty) Ltd. and will open in cinemas nationwide this Friday, 16 August 2019.

BLINDED BY THE LIGHT is a coming-of-age tale directed by Gurinder Chadha, who in 2002 made the terrific Bend It Like Beckham. The film, which is both a charming ode to teenage dreams and a loving tribute to The Boss, marks an exuberant return to form for the director, who explains the essence of the movie: “It’s about a young man’s dreams, and how he is inspired by someone from a totally different cultural background writing about their own life thousands of miles away in New Jersey.”

It tells the story of Javed (Viveik Kalra), a Pakistani British teenager living in a drab London suburb in 1987, who experiences exactly that. He discovers the music of Bruce Springsteen, which jolts him alive and becomes his fixation, his obsession and identity. But the music does more than that.

Javed’s world is turned upside down after a chance encounter with rebellious classmate Roops (a scene-stealing Aaron Phagura), who introduces his new friend to the thumping music of Bruce Springsteen; the artist might no longer be seen as cool by Javed’s peers, but the lyrics inspire him to take control of his destiny.

Javed’s home life is one we’ve encountered a million times: Parents who expect their children to ignore the culture they’ve brought them to and honour the values of the land they left. Playing the stern father, Malik, Kulvinder Ghir has a thankless job. He has devoted his entire life to eking out a better future for his children. A proud and traditional patriarch, he refuses to let his son grow up to be a taxi driver, but he also lives in denial about Javed’s burning desire to become his own man. Ghir’s performance is heartfelt and hilarious.

Meanwhile, as Javed, Kalra’s wide-eyed expressiveness and unexpected layers of emotional vulnerability lends a great deal to the film. He seems to be having the time of his life in this role.

Inspired by the life of British journalist Sarfraz Manzoor, who co-wrote the script, the film focuses on the teen, who is struggling to find a balance between his life in and outside of the home, with expectations from his Pakistani father conflicting with how he sees his own life.

The rest of the cast include Javed’s family and friends. His mother Noor (Meera Ganatra) is a beacon of patience, while his older sister Shazia (Nikita Mehta) is the similarly-Anglicised sibling who gives the teen some much-needed perspective about how to look out for his own.

Supporting actors include Hayley Atwell as a well-meaning English teacher who helps set the stage for Javed’s inspiration to grow; Nell Williams as Eliza, the girl who catches his eye; and his New Wave wannabe best friend Matt (Dean-Charles Chapman).

List of Cinemas:

  • SterKinekor – Bay West
  • SterKinekor – Bayside
  • SterKinekor – Bedford Square
  • SterKinekor – Boardwalk
  • SterKinekor – Brooklyn Nouveau
  • SterKinekor – Carnival City
  • SterKinekor – Cavendish Commercial
  • SterKinekor – Cedar Square
  • SterKinekor – Eastgate
  • SterKinekor – Forest Hill
  • SterKinekor – Gateway Commercial
  • SterKinekor – Mall of Africa
  • SterKinekor – Musgrave
  • SterKinekor – N1 City
  • SterKinekor – Rosebank Nouveau
  • SterKinekor – Rosebank The Zone
  • SterKinekor – Sandton
  • SterKinekor – Secunda
  • SterKinekor – Shelly Beach
  • SterKinekor – Somerset Mall
  • SterKinekor – V & A Nouveau
  • Nu Metro – NM Bedford
  • Nu Metro – NM Canal Walk
  • Nu Metro – NM Clearwater
  • Nu Metro – NM Galleria
  • Nu Metro – NM Hyde Park
  • Nu Metro – NM Menlyn Park
  • Nu Metro – NM Park View
  • Nu Metro – NM Pavilion
  • Nu Metro – NM The Glen
  • Nu Metro – NM V&A Waterfront
  • Independents – Killarney Cine Centre
  • Independents – Labia Orange St.
  • Independents – Midlands Cine Centre
  • Independents – Movies@Monte
  • Independents – Suncoast Cine Centre

Blackmagic Design Announces New UltraStudio 4K Mini

New UltraStudio 4K Mini allows any Thunderbolt 3 computer to connect to any video device and is the ideal video I/O solution for DaVinci Resolve 16!

Blackmagic Design today announced UltraStudio 4K Mini, a new capture and playback solution for Thunderbolt 3 computers with 12G‑SDI, HDMI, analog video and audio connections that lets customers build solutions for editing, color grading, live broadcast graphics, archiving from traditional broadcast decks and live internet streaming.

UltraStudio 4K Mini is available immediately from Blackmagic Design resellers worldwide for US$995.

Now customers can connect Thunderbolt 3 computers to any kind of video equipment for building high performance edit workstations, archiving from old broadcast decks, outputting broadcast graphics and even live streaming. Simply connect to the Thunderbolt 3 port to get a wide range of video and audio connections that operate in all SD, HD, Ultra HD and 4K DCI formats up to 60 frames per second. UltraStudio is designed to work with popular video software on Mac, Windows and Linux such as DaVinci Resolve, Avid Media Composer, Adobe Premiere Pro, Final Cut Pro and many more.

The new UltraStudio 4K Mini model is a portable Thunderbolt 3 capture and playback solution packed with the latest broadcast technology, including 12G‑SDI, HDMI 2.0 and analog connections. Customers get broadcast quality 8 and 10-bit high dynamic range capture in all formats up to 4K DCI at 60p, and 12-bit high dynamic range capture in all formats up to 4K DCI at 30p. It’s small enough to fit in a rack or be used on a desktop. The front panel features push button controls, an LCD for monitoring signal and setup, an XLR microphone input and a ¼” headphone jack. UltraStudio 4K Mini features USB for connecting a keyboard and mouse, plus it will trickle charge their laptop computer when connected to the Thunderbolt 3 port. There’s even a built in SD card reader allowing instant access to their camera media cards.

Whether you’re working on-set or in post production, UltraStudio gives them broadcast and digital cinema quality capture and playback that can be used for any workflow. UltraStudio is perfect for everything from editing, color and visual effects to live capture and on-set monitoring during production. There are even models with 12G‑SDI and support for the latest HDR formats to ensure high end colorists get everything they need for monitoring to broadcast displays, HDR televisions or the latest digital cinema projectors. UltraStudio can even be used to feed SDI fill and key from RGB graphics directly from a computer to a live production switcher for amazing live broadcast graphics keying.

With UltraStudio customers can connect to virtually any video device. All UltraStudio models include SDI in and out, HDMI out for monitoring on TVs and projectors and analog YUV/NTSC/PAL video and balanced analog input for archiving from legacy analog broadcast tape decks. The UltraStudio 4K Mini and Extreme models add an extra HDMI input plus a balanced analog audio out for connecting to in-studio audio monitoring.

Built on revolutionary Thunderbolt 3™ technology, UltraStudio uses a blazingly fast single cable connection to any computer that has the bandwidth to handle the highest resolution video formats easily. Thunderbolt ensures low latency and highly accurate time synchronization for the highest quality capture and playback. UltraStudio 4K models also include an AC power connection, perfect when working in studios. The new UltraStudio 4K Mini model even provides 45W trickle power via Thunderbolt 3 to the connected computer so it stays charged when connected.

When working with uncompressed video all captured images are a perfect pixel‑for‑pixel clone of the source without any quality loss, so customers have the confidence they’re working at the absolute highest quality possible. Get the sharpest keying with green screens, cleanest compositions, superior color correction and more. Ultra HD has 4 times the resolution of 1080HD for amazing looking images.

UltraStudio 4K Extreme 3 and UltraStudio 4K Mini feature the latest 12G‑SDI, for the most powerful video capture and playback solution. The incredible speed of 12G‑SDI means UltraStudio 4K models can support both capture and playback of Ultra HD and 4K 60p over a single BNC cable. Because 12G‑SDI connections are multi rate, customers can still connect to all of their existing equipment. Only 12G‑SDI gives customers the compatibility to connect to all their existing SD and HD equipment but also supports the future with all Ultra HD formats up to 2160p60. Because the 12G‑SDI outputs are dual link, customers can do stereoscopic or simultaneous fill and key in real time up to 2160p30.

UltraStudio 4K models feature elegant front panels with integrated color LCD and fast control buttons, with the rear panel using industry standard BNC and HDMI connectors for video connections. UltraStudio Mini models are designed for portability and can be used as a stand alone on a desktop or rack mounted with other equipment. The UltraStudio HD Mini model is even more compact at only ⅓ of a rack width. That means they have very low visual impact when placed on a desktop, and customers can fit up to 3 of them in a single rack unit size.

UltraStudio models have been designed to be the perfect match for DaVinci Resolve, so customers can get a complete post production solution simply by downloading the software now on Mac, Windows or Linux. Whether you’re working on major feature films, episodic television production, music videos, TVCs or even the latest YouTube shoot, DaVinci Resolve gives customers a high end workflow so the tools will never be the limit to their creativity.

“This new model is a fantastic replacement for the older UltraStudio model, because it adds 12G‑SDI and Thunderbolt 3, but it’s also much smaller in size,” said Grant Petty, Blackmagic Design CEO. “This makes it the perfect solution for broadcasters who need live graphics and edit monitoring, as well as anyone who wants high quality Ultra HD streaming for live production! It’s a whole new UltraStudio for a new generation of workflows!”

UltraStudio 4K Mini Features

  • Thunderbolt 3 interface for 40 Gb/s capture and playback.
  • 3 models available with both portable and rack mount options.
  • Ideal for edit monitoring, live graphics, archive and streaming.
  • 12G‑SDI, HDMI 2.0, YUV/NTSC/PAL video and balanced audio.
  • Supports 45W trickle charging to connected computer.
  • Supports all SD, 720p, 1080i, 1080p, 2160p and 4K DCI formats.
  • Front panel with LCD, mic input, headphone and SD card slot.
  • Compatible with DaVinci Resolve for editing, color, VFX and audio.
  • Supports DaVinci Resolve, Final Cut Pro, Avid and more.
  • Includes support for Mac, Windows and Linux.

Availability and Price

UltraStudio 4K Mini is available now for US$995, excluding duties, from Blackmagic Design resellers worldwide

Blackmagic Design Announces DaVinci Resolve 16.1

Blackmagic Design today announced DaVinci Resolve 16.1, a new update to the company’s popular edit, color, visual effects and audio post production software that includes major updates to the new cut page to help create the world’s fastest editor.

DaVinci Resolve 16.1 public beta is available for download now from the Blackmagic Design website.

While Blackmagic Design is announcing the final release of DaVinci Resolve 16.0, we are also introducing a new public beta of DaVinci Resolve 16.1 that has innovative new features. This new public beta will let us continue to develop new ideas but also collaborate with customers to ensure they are refined in the correct way to work in the real world.

As the large film studios that use DaVinci Resolve for most of the world’s feature films need to get their systems updated before the next programming season starts, this new public beta lets Blackmagic Design continue to develop new ideas without causing delays for the large studios who need a finished and well tested release of DaVinci Resolve. The new features are focused mostly on the new cut page, which we are continuing to work on in our goal to make it the world’s fastest editor. Our goal is to allow customers to dramatically decrease the total turn around time for complex work.

Changes in the bin now allow customers to place media in various folders and isolate clips from being used when viewing clips in the source tape, sync bin or sync window. Clips will be seen in all folders below the current level and as customers navigate around the levels in the bin, the source tape will reconfigure in real time. There’s even a menu for directly selecting folders in a customer’s project.

An exciting feature to be added in this public beta is the new Smart Indicator. The new cut page in DaVinci Resolve 16 introduced multiple new smart features, which work by estimating where the editor wants to add an edit or transition and then allowing it to be applied without the wasted time of placing in and out points on the exact locations of the clips.

This is fast because the software guesses what the editor wants to do and just does it by adding the inset edit, or adding a transition to the edit closest to where the editor has placed the CTI. The problem is in complex edits, where it is hard to know what the software would do and which edit it would place the effect or clip into. This is where the new smart indicator provides a small marker in the timeline so customers get constant feedback on where DaVinci Resolve will place edits and transitions. The new smart indicator constantly live updates as the editor moves around the timeline.

One of the most common feedback items requested was a faster way to cut clips in the timeline, and now DaVinci Resolve 16.1 includes a cut clip icon in the user interface and simply clicking on it will slice the clips in the timeline at the CTI point. This is incredibly fast to use as with one button click, the clips are cut immediately.

Multiple changes have also been made to the new DaVinci Resolve Editor Keyboard, including a new adaptive scroll feature on the search dial, which will slow down a job when editors are hunting for an in point, all automatically. The live trimming buttons have been renamed to the same labels as the functions in the edit page, and they have been changed to trim in, trim out, transition duration, slip in and slip out. The function keys along the top of the keyboard have now been taken and used for various editing functions.

There are additional edit models on the function keys allowing more types of editing directly accessed from dedicated keys on the keyboard. There’s also a new transition window that uses the F4 key and pressing and rotating the search dial allows instant selection from all the transition types in DaVinci Resolve. Customers who need quick picture in picture effects can use F5 and apply them instantly.

Sometimes when editing shows with tight deadlines there is little time to continuously play the edit to see where the edit gets a bit boring. DaVinci Resolve 16.1 introduces a new Boring Detector that allows the whole timeline to be highlighted where any shot is too long and would be boring for a viewer to watch. The boring detector can also show jump cuts where shots are too short as well. The analysis is constantly showing which parts of the timeline are boring so as editors work and add shots to their edit, they can see the remaining parts of the edit which are considered boring. The boring detector is great when using the source tape, as editors can perform a lot of edits without playing the timeline, so the boring detector will be an alternative live source of feedback.

One of the most powerful features of DaVinci Resolve 16.1 is the new sync bin. The sync bin is a digital assistant editor whicho constantly sorts through thousands of clips and finds only the clips customers need and displays them synced to the point in the timeline customers are on.

The sync bin will show the clips from the cameras on a shoot all stacked by camera number and the viewer will transform into a multi view so customers can see what options customers have for clips that sync to the shot in the timeline. The sync bin uses date and timecode to find and sync clips, and simply by using metadata and locking cameras to time of day, customers can save time in the edit.

The sync bin completely changes how multi camera editing can be completed. Just scroll along the timeline and the sync bin will display only shots that are related to the timeline clips. Customers can even scroll off the end of the timeline and keep adding shots. When using the DaVinci Resolve Editor Keyboard, customers can simply hold the camera number and rotate the search dial to “live overwrite” the clip into the timeline, making editing even faster.

The close up edit feature has now been enhanced in DaVinci Resolve 16.1 and it now does face detection and analysis and will zoom the shot based on positioning the face of the person nicely framed.

If customers are using shots from cameras without timecode then the new sync window lets them sort and sync clips from multiple cameras. The sync window supports sync by timecode and it can also detect audio and sync clips by sound. All clips that have been synced will display a sync icon in the media pool so customers can tell which clips are synced and ready for use. Manually syncing clips using the new sync window allows workflows such as multiple action cameras to use new features such as source overwrite editing and the new sync bin.

“We are excited about this update as it has more new features that bring a totally new way to solve complex editing problems,” said Grant Petty, Blackmagic Design CEO. “These new features have never been done before and we are trying new ideas that we have developed in collaboration with our customers. It’s very exciting to be doing things that are totally new and never been tried before!”

DaVinci Resolve 16.1 Features

  • New public beta allows us to continue development.
  • New updates allow editors to improve sorting of media.
  • Smart Indicator adds UI feedback for intelligent edit features.
  • New cut clip tool allows instant cutting of clips in the timeline.
  • New button changes on DaVinci Resolve Editor Keyboard.
  • Boring Detector shows areas of the timeline that lack interest.
  • New Sync Bin organizes and displays sync media for easy shot selection.
  • Close up edit mode now includes face recognition to better frame shots.
  • New sync window allows manual syncing of clips, or audio based sync.
  • Multiple other improvements in editing, color, Fusion and Fairlight audio pages.

Availability and Price

DaVinci Resolve 16.1 public beta is available now for download from the Blackmagic Design web site.

Blackmagic Design Announces Blackmagic RAW Speed Test

Blackmagic Design today announced Blackmagic RAW Speed Test, a new performance measurement tool for Mac OS X that tests a computer’s CPU and GPU speeds using full resolution Blackmagic RAW image decodes making it possible for customers to get a real world estimate of their computers performance.

Blackmagic RAW Speed Test is available for download now from the Blackmagic Design website.

Blackmagic RAW Speed Test is a CPU and GPU benchmarking tool that customers can use to test the speed of decoding full resolution Blackmagic RAW frames on their system. Multiple CPU cores and GPUs are automatically detected and used during the test so that customers get accurate and realistic results. Simply select Blackmagic RAW constant bitrate 3:1, 5:1, 8:1 or 12:1 and the desired resolution to perform the test. Although Blackmagic RAW Speed Test will run multiple resolution and frame rate tests on their system, customers can also select a specific test resolution to run on the main meters and the test will continue to run constantly, allowing stress testing of host computers.

Results are displayed in an easy to read table that shows customers how many frames per second their computer can decode for all supported resolutions. Blackmagic RAW Speed Test is currently available for Mac and can be downloaded from the Blackmagic Design website.

Blackmagic RAW is a revolutionary and modern new codec designed to capture and preserve the quality of camera images so new workflows in television and film production are possible. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives customers stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so customers can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality.

Advanced operating system technologies are supported including Apple Metal, OpenGL and CUDA. Constant bitrate is also supported and this keeps data rates constant for recording to slower media cards, but varies the image quality to achieve this constant bitrate. Customers even get support for 3D LUTS embedded in Blackmagic RAW files so LUTs don’t have to be “burned in”. This ensures the 3D LUT from the shoot travels with the media file itself and it also lets users disable the 3D LUT if they want to grade film gamma images or use a different 3D LUT to the one used on the shoot.

The Blackmagic RAW Developer SDK lets any software developer add support for Blackmagic RAW to their own applications and the Blackmagic RAW SDK can be downloaded from the Blackmagic Design website free of charge.

“We felt that computer performance measurement tools did not really perform the types of testing we needed in the film and television industry, because they operate very differently to the kinds of processing we do,” said Grant Petty, Blackmagic Design CEO. “So we thought using Blackmagic RAW decode speeds would be a good estimate of real world computing performance because it’s doing the exact same processing the computer is doing while editing, color correcting and doing visual effects rendering.”

Blackmagic RAW Speed Test Features

  • Tests system performance of both CPUs and GPUs using Blackmagic RAW.
  • Blackmagic RAW based testing ensures more accurate performance results.

Availability and Price
Blackmagic RAW Speed Test is available now as a free download from the Blackmagic Design website.

Former Friends Crush Castaway Cobus On M-Net’s Survivor SA: Island Of Secrets

For three Tribal Councils in a row, his alliance members, the so-called Spit Shakers Seven, kept him in the dark about their voting plans. But this week self-proclaimed social butterfly, architect Cobus Hugo (28), had to swallow an even more bitter pill. With five votes against his name – also from the people he once believed could take him to the top – Cobus became the thirteenth person to be voted off M-Net’s Survivor SA: Island of Secrets and the fifth member of the jury.

Before host Nico Panagio had snuffed Cobus’s torch however, Tribal Council delivered nail-biting drama. When it was time to read the votes, all eyes were on Jacques. He was supposed to play the Hidden Immunity Idol, draped around his neck. Instead, he just slowly buttoned down his shirt.

Then, there was another rude awakening for over-confident Steffi. Her name was written down as well and she heard Nico saying “… two votes Steffi… two votes Cobus … two votes Jacques”. If Jacques played his Idol for Cobus, as the jury wished, it could have been a tie! And, If Jacques’s bold move to persuade the other players at the bottom of the food chain that gunning for Steffi could be their saving grace, it could have been even worse for the former Miss Namibia.

How the Suvivors voted:

The consensus at camp – without the targets knowing, of course – was that the votes would be split between Jacques and Cobus. In the end the Amigos alliance – Rob, Nicole and Steffi – voted for Cobus. So did Durāo and Mike, who Jacques tried to win over by sharing his advantage with them. Laetitia and Mmaba followed the orders of “senior management”, as Jacques calls the power players, and went for Jacques. Thus, the two votes, received by Steffi came from Jacques and Cobus.

How the week’s episode played out:

This week’s Reward Challenge revealed quite a lot about the Survivor’s standing in the game as well as their strategy, needs and attitudes. Host Nico presented them with three options to play for: a hearty meal with wine, a letter from home or an advantage in the game. To win the reward, they had to keep two opposing forces (a set of handles) apart with a heavy metal bar shaped like a key between them. If at any point during the challenge they released tension on those handles, the bar would slip through, shatter a tile and eliminate them from winning.

Nicole and Durāo both picked the meal, but then Durāo realised that Nicole needed the nutrients more – and deliberately crushed his tile.

Most of the castaways were craving a letter from home. After Jacques, Laetitia and Cobus fell out, it was game on for Steffi and Mike. Taking his cues from Durāo, Mike thought it was an excellent plan to let Steffi win.

The final face-off for the advantage in the game was between Mmaba and Rob. Even though Mmaba needed it more than ever before, Rob didn’t budge. After his victory, Rob was sent off to the Island of Secrets to spend an evening alone and find out more about his advantage. The advantage turned out to be an opportunity to practise for the all-important Immunity Challenge as well as everything that was up for grabs at the Reward Challenge.

While an emotional Rob shed more than one tear when reading the letter from his dad, there were also plenty of red eyes back at camp. Steffi’s letter from actor husband Clint Brink made her all weepy and the others broke down at the thought of missing out on much-needed encouragement from home.

Rob’s winning spree did not end at The Island of Secrets. He came out tops at the Immunity Challenge, where he also won the opportunity to test-drive a Mahindra SUV for a month upon his return to South Africa.

But will all of this put a target on his back now? After thirty days on the island, it’s clear that everyone is there to win and that nobody can be trusted.

Survivor South Africa: Island of Secrets is screened on M-Net every Thursday at 19:00. It will also be available on DStv CatchUp. Fans can visit www.mnet.tv/survivorsa and follow all the breaking news and conversations around the show on Twitter @Survivor_SA / #SurvivorSA and on the official Survivor Facebook page.

The Kitchen – Only In Cinemas 16 August 2019

The gritty, female-driven mob drama “The Kitchen,” from New Line Cinema and BRON Creative, was written and directed by Andrea Berloff, who was nominated for an Oscar for the original screenplay for “Straight Outta Compton.”

“The Kitchen” stars Oscar nominee Melissa McCarthy (“Can You Ever Forgive Me?” “Bridesmaids”), Tiffany Haddish (“Girls Trip”), and Elisabeth Moss (“The Handmaid’s Tale”) as three 1978 Hell’s Kitchen housewives whose mobster husbands are sent to prison by the FBI. Left with little but a sharp axe to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition…literally.

The film also stars Domhnall Gleeson (“Star Wars: The Last Jedi”), James Badge Dale (“Only the Brave”), Brian d’Arcy James (“Spotlight”), with Margo Martindale (TV’s “The Americans”), Oscar winner Common (“Selma,” “Marshall”), and Bill Camp (“Vice”); as well as Jeremy Bobb (“Marshall”), E.J. Bonilla (TV’s “The Long Road Home”), Wayne Duvall (“Prisoners”), Annabella Sciorra (TV’s “Daredevil”), Myk Watford (HBO’s “True Detective”).

Five Reasons “Kanarie” Is A Gem, Even If You’re Not Afrikaans

Kanarie, Schalk Bezuidenhout’s breakout movie, is now streaming first on Showmax in South Africa.

Schalk stars as Johan Niemand, a fashion-loving gay teen in small-town South Africa in 1985, a time of apartheid, religious conservatism and war, an era when not even his idol Boy George had dared to come out publicly as gay yet.

When Johan is called up to serve his compulsory two-year military training, he escapes the border war by joining The South African Defence Force Church Choir and Concert Group, known as Die Kanaries (The Canaries), where he discovers his true self through hardship, camaraderie, first love and the liberating freedom of music.

If you missed Kanarie at the cinema – and it was only the 10th most popular South African movie at the box office last year, so clearly most of us did – here are five reasons not to sleep on one of the most fun but moving South African films yet:

Schalk Bezuidenhout is one of our favourite comedians, but might be an even better actor

Schalk is one of South Africa’s top comedians: the winner of two Comics’ Choice Awards, described by Skhumba recently as “the one white comedian loved by black people.”

But in Trippin With Skhumba earlier this year, Schalk confessed that he wanted to be an actor before he thought of being a comedian.

On the basis of his performance in Kanarie, acting might still be his true calling, as much as we hope we still get to laugh with him often on stage. The Los Angeles Times compared him to the legendary Buster Keaton while praising his “clear talent for drama” and the way he “superbly juggles Johan’s many moods and modes,” while FilmThreat raved about his “confident, raw performance.”

Schalk earned a 2019 South African Film and Television Award nomination for this role and won Best Supporting Actor last year as Danny in Hotel, but we’re pretty sure he’s just getting started.

Just be warned: he’s missing his trademark knitted jerseys, moustache and wild hair in Kanarie, so you might not recognise him immediately in the movie, but just look out for the guy in the wedding dress in the opening scene…

Germandt Geldenhuys is hilarious, and can seriously sing

Schalk is ably supported by the rest of the cast, particularly Hannes Otto as his love interest, Wolfgang, and Germandt Geldenhuys as the irrepressible Ludolf, in a hilarious performance that won Best Supporting Actor at Silwerskerm and earned a SAFTA nomination.

As FilmThreat put it, “Ludolf’s happy to see anyone and loves to chat with them about whatever. While it sounds like it may be annoying, Geldenhuys finds the right balance of pluck and genuine sympathy to make the character work.”

Germandt won the 2017 Huisgenoot Tempo For Actor of the Year: Soap Operas for his role as Louis Koster in Binnelanders; earned a Fleur Du Cap nomination for Sweeney Todd; and won the Grand Champion Award for singing at The World Performing Championships, which will surprise no one who hears him sing in Kanarie.

Christiaan Olwagen is a director to watch

After being named Standard Bank Young Artist Of The Year for Theatre in 2015, Christiaan Olwagen switched his focus to cinema, writing and directing three acclaimed Afrikaans films in three years: 2016’s Johnny Is Nie Dood Nie, 2018’s Chekhov adaptation Die Seemeeu, and Kanarie, with a fourth, Poppie Nongena, premiering at kykNET’s Silwerskermfees this month.

Kanarie is an impressive mix of genres – a coming-of-age, coming out, musical love story war film – that is sometimes funny, sometimes heart-warming, and occasionally tragic, and that moves from raw reality to music-video-style flights of fancy and back again seamlessly. It’s an incredible balancing act but one that Christiaan makes look easy. While he may not be famous outside the Afrikaans community yet, he’s still in his early 30s and we’d put money on that changing soon… As BusinessDay put it, he’s “streets ahead of other directors.”

Kanarie is inspired by a true story

In Kanarie, Schalk and the rest of the cast are helped by what The Los Angeles Times described as “a first-rate script,” which director Christiaan Olwagen co-wrote with musical director Charl-Johan Lingenfelder, based on Charl’s own experiences in the army choir.

As Charl told BizCommunity, “I believe one of the strengths of the film is the fact that it is a very personal story and that it is true. People are very surprised when they find out that approximately 95% of it is factual. It’s not often you get to watch a film of this nature where the narrative is so close to what really happened. We didn’t have to invent a whole lot – it was all just ready to be told.”

Kanarie is a funny, moving tale about standing out, even when you just want to fit in

Sometimes we sell things short when we pitch them as good South African films. Kanarie is a good film. Period.

It has a 100% critics rating on Rotten Tomatoes; a 7.9 rating on IMDB; and has won 15 awards around the world. As The Los Angeles Times put it, “Kanarie ably hits the high notes… rich, poignant and finely observed… “ Or as The Hollywood Reporter said, while predicting an international theatrical run, Kanarie is “a winning combination of thoughtfulness and exuberance.” Similarly, Indiewire picked it as one of seven films to watch at Outfest, North America’s premier LGBTI festival, calling it a “surprisingly fun” musical about “the effects of nationalism on a tender soul, and the bond of brotherhood among misfits.”

So whether or not you’re gay, or Afrikaans, or want to support proudly South African products, Kanarie is the film for you, next time you’re in the mood for an uplifting musical love story about finding individuality in a world of oppression and uniformity. Watch it first on Showmax here.

Court Is In Session For The Final Season Of Suits – And The Much-awaited Premiere Of Gina Torres’ Pearson

It’s been quite the journey for beloved legal drama Suits: a world of slicker-than-your-average attorneys, fast-paced courtroom theatre, tumultuous interpersonal relationships – all set against the backdrop of the gorgeous New York skyline. Like all good things though, this acclaimed bit of television has come to an end, and who else could deliver the ninth and final season but M-Net channel 101? On Thursday, 8 August at 20:10, the home of magic ushers in the final season premiere of the popular series.

Happily, the ensemble cast returns to the fray: Gabriel Macht, Rick Hoffman, Sarah Rafferty and recent initiates Dulé Hill and Katherine Heigl are back to pick up the pieces of last season’s fallout: After Robert Zane is disbarred, the rest of the firm (now known as ‘Zane Specter Litt Wheeler Williams’) are forced to contend with the repercussions of his departure. Personal relationships are also under pressure as Harvey and Donna are forced to make tough decisions about how to move forward with their new relationship, and just as episode one’s title suggests: “Everything’s Changed”.

With the countdown to the finale approaching can New York’s number one firm find their winning streak again? Find out on M-Net 101 on 8 August at 20:10.

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The drama doesn’t stop there! Gina Torres slides into the much-anticipated Suits spin-off Pearson, reprising her role as the indomitable Jessica Pearson on the same day, Thursday, 8 August at 21:10 on M-Net channel 101.

Recently disbarred and on a fierce mission to instigate change, the NYC powerhouse finds herself in the Mayor’s office of Chicago: a seedy world of corruption, blackmail and dirty politics. The former attorney has her work cut out for her in this lion’s den, where juggling her boss’s blatant disregard for the law, an ongoing rivalry with a colleague (who happens to be the person responsible for taking away her law license) and maintaining her already strained personal relationships are going to prove quite the challenge.

The cast includes Morgan Spector (Homeland) as Mayor Bobby Golec, Simon Kassianides (Marvel’s Agents of S.H.I.E.L.D), Bethany Joy Lenz (One Tree Hill) as Keri Allen, Chantel Riley (Wynnona Earp) as Angela, Isabel Arraiza (The Oath) as Yoli and Eli Goree (Ballers) as Derrick.

Will Jessica Pearson’s determination to do right by the people of Chicago be enough to overcome her overwhelming detractors? Find out on Thursday, 8 August at 21:10.

Get the latest on Suits and Pearson on mnet.tv and join the conversation on Twitter @MNet, Facebook and Instagram
Come Home to Magic with back-to-back ensemble drama on Thursday 08 August on M-Net Channel 101!

MTV Base And BET Africa Partner With Shekhinah For Rosefest 2019

Power local female artists celebrate Women’s Day with Shekhinah at Rosefest on 9 August at Nasrec Expo Centre

MTV Base (DStv 322) and BET Africa (DStv 129) have partnered with globally acclaimed artist, Shekhinah on her first ever produced music festival RoseFest which features an all-female performance in celebration of Women’s Month at Nasrec Expo Centre in the South of Johannesburg on Friday, 9 August 2019.

The carnival themed style show will see the award – winning sensation leading the festival with a line–up that takes on a literal interpretation of women empowerment with supporting acts including recently announced BET New International Act Award winning Sho Madjozi, SAMA winner Busiswa, songstress Simmy, vocalist and performer Moonchild Sanelly and Melo B Jones amongst many others. MTV Africa’s VJ’s Kim Jayde and Farieda Metsileng will be hosting the inaugural Rose Fest together with BET Africa’s brand personality, Nomalanga Shozi.

“This is an important partnership in supporting our local talent. Shekhinah’s RoseFest exemplifies BET Africa’s values of celebrating African women, talent, culture and music during a significant month in our country’s history.” says Monde Twala, Vice President at Viacom International Media Networks Africa (VIMN Africa) for Youth, Music and BET Africa.

Commented Shekhinah: “Finally the time has come for me to have my first headline show for everyone who has supported me since my career started and to have partnered with Viacom’s notable brands that celebrate African women, music and talent like BET Africa and MTV Base is truly an honour.”

Tickets for the inaugural festival are available for sale on Webtickets www.webtickets.co.za / Pick n Pay at R240.

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