{"id":1825,"date":"2016-01-10T18:02:05","date_gmt":"2016-01-10T16:02:05","guid":{"rendered":"http:\/\/www.samdb.co.za\/blogs\/?p=1825"},"modified":"2016-01-10T18:02:05","modified_gmt":"2016-01-10T16:02:05","slug":"nominees-for-the-2016-golden-globe-awards","status":"publish","type":"post","link":"https:\/\/www.samdb.co.za\/blogs\/blog\/2016\/01\/10\/nominees-for-the-2016-golden-globe-awards\/","title":{"rendered":"Nominees for the 2016 Golden Globe Awards"},"content":{"rendered":"<h6>BEST MOTION PICTURE \u2013 DRAMA<\/h6>\n<ul>\n<li>CAROL Number 9 Films; The Weinstein Company<\/li>\n<li>MAD MAX: FURY ROAD Warner Bros. Pictures \/ Village Roadshow Pictures \/ Kennedy Miller Mitchell; Warner Bros. Pictures<\/li>\n<li>THE REVENANT Regency Enterprises; Twentieth Century Fox<\/li>\n<li>ROOM Element Pictures \/ No Trace Camping; A24<\/li>\n<li>SPOTLIGHT Anonymous Content \/ Participant Media \/ First Look; Open Road Films<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE \u2013 DRAMA<\/h6>\n<ul>\n<li>CATE BLANCHETT &#8211; CAROL<\/li>\n<li>BRIE LARSON &#8211; ROOM<\/li>\n<li>ROONEY MARA &#8211; CAROL<\/li>\n<li>SAOIRSE RONAN &#8211; BROOKLYN<\/li>\n<li>ALICIA VIKANDER &#8211; THE DANISH GIRL<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE \u2013 DRAMA<\/h6>\n<ul>\n<li>BRYAN CRANSTON &#8211; TRUMBO<\/li>\n<li>LEONARDO DICAPRIO &#8211; THE REVENANT<\/li>\n<li>MICHAEL FASSBENDER &#8211; STEVE JOBS<\/li>\n<li>EDDIE REDMAYNE &#8211; THE DANISH GIRL<\/li>\n<li>WILL SMITH &#8211; CONCUSSION<\/li>\n<\/ul>\n<h6>BEST MOTION PICTURE \u2013 MUSICAL OR COMEDY<\/h6>\n<ul>\n<li>THE BIG SHORT\u00a0Paramount Pictures \/ Regency Enterprises; Paramount Pictures<\/li>\n<li>JOY\u00a0Fox 2000 Pictures; Twentieth Century Fox<\/li>\n<li>THE MARTIAN\u00a0Twentieth Century Fox; Twentieth Century Fox<\/li>\n<li>SPY\u00a0Twentieth Century Fox; Twentieth Century Fox<\/li>\n<li>TRAINWRECK\u00a0Universal Pictures \/ Apatow Productions; Universal Pictures<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE \u2013 MUSICAL OR COMEDY<\/h6>\n<ul>\n<li>JENNIFER LAWRENCE &#8211; JOY<\/li>\n<li>MELISSA MCCARTHY &#8211; SPY<\/li>\n<li>AMY SCHUMER &#8211; TRAINWRECK<\/li>\n<li>MAGGIE SMITH &#8211; THE LADY IN THE VAN<\/li>\n<li>LILY TOMLIN &#8211; GRANDMA<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE \u2013 MUSICAL OR COMEDY<\/h6>\n<ul>\n<li>CHRISTIAN BALE &#8211; THE BIG SHORT<\/li>\n<li>STEVE CARELL &#8211; THE BIG SHORT<\/li>\n<li>MATT DAMON &#8211; THE MARTIAN<\/li>\n<li>AL PACINO &#8211; DANNY COLLINS<\/li>\n<li>MARK RUFFALO &#8211; INFINITELY POLAR BEAR<\/li>\n<\/ul>\n<h6>BEST MOTION PICTURE \u2013 ANIMATED<\/h6>\n<ul>\n<li>ANOMALISA\u00a0Starburns Industries; Paramount Pictures<\/li>\n<li>THE GOOD DINOSAUR\u00a0Pixar Animation Studios; Walt Disney Studios Motion Pictures<\/li>\n<li>INSIDE OUT\u00a0Pixar Animation Studios; Walt Disney Studios Motion Pictures<\/li>\n<li>THE PEANUTS MOVIE\u00a0Blue Sky Studios; Twentieth Century Fox<\/li>\n<li>SHAUN THE SHEEP MOVIE\u00a0Aardman; Lionsgate \/ Studiocanal<\/li>\n<\/ul>\n<h6>BEST MOTION PICTURE \u2013 FOREIGN LANGUAGE<\/h6>\n<ul>\n<li>THE BRAND NEW TESTAMENT (BELGIUM \/ FRANCE \/ LUXEMBOURG)<br \/>\nTerra Incognita \/ Climax Films \/ Apr\u00e8s le D\u00e9luge \/ Juliette Films \/ Caviar; Belga Films \/ Le Pacte<\/li>\n<li>THE CLUB (CHILE)<br \/>\nFabula; Music Box Films<\/li>\n<li>THE FENCER (FINLAND \/ GERMANY \/ ESTONIA)<br \/>\nMaking Movies \/ Kick Film GmbH \/ Allfilm; Oy Nordisk Film Ab<\/li>\n<li>MUSTANG (FRANCE)<br \/>\nCG Cin\u00e9ma \/ Vistamar Flimproduktion; Cohen Media Group<\/li>\n<li>SON OF SAUL (HUNGARY)<br \/>\nLaokoon Filmgroup; Sony Pictures Classics<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE<\/h6>\n<ul>\n<li>JANE FONDA &#8211; YOUTH<\/li>\n<li>JENNIFER JASON LEIGH &#8211; THE HATEFUL EIGHT<\/li>\n<li>HELEN MIRREN &#8211; TRUMBO<\/li>\n<li>ALICIA VIKANDER &#8211; EX MACHINA<\/li>\n<li>KATE WINSLET &#8211; STEVE JOBS<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE<\/h6>\n<ul>\n<li>PAUL DANO &#8211; LOVE &amp; MERCY<\/li>\n<li>IDRIS ELBA &#8211; BEASTS OF NO NATION<\/li>\n<li>MARK RYLANCE &#8211; BRIDGE OF SPIES<\/li>\n<li>MICHAEL SHANNON &#8211; 99 HOMES<\/li>\n<li>SYLVESTER STALLONE &#8211; CREED<\/li>\n<\/ul>\n<h6>BEST DIRECTOR \u2013 MOTION PICTURE<\/h6>\n<ul>\n<li>TODD HAYNES &#8211; CAROL<\/li>\n<li>ALEJANDRO G. I\u00d1\u00c1RRITU &#8211; THE REVENANT<\/li>\n<li>TOM MCCARTHY &#8211; SPOTLIGHT<\/li>\n<li>GEORGE MILLER &#8211; MAD MAX: FURY ROAD<\/li>\n<li>RIDLEY SCOTT &#8211; THE MARTIAN<\/li>\n<\/ul>\n<h6>BEST SCREENPLAY \u2013 MOTION PICTURE<\/h6>\n<ul>\n<li>EMMA DONOGHUE &#8211; ROOM<\/li>\n<li>TOM MCCARTHY,\u00a0\u00a0JOSH SINGER &#8211; SPOTLIGHT<\/li>\n<li>CHARLES RANDOLPH, ADAM MCKAY &#8211; THE BIG SHORT<\/li>\n<li>AARON SORKIN &#8211; STEVE JOBS<\/li>\n<li>QUENTIN TARANTINO &#8211; THE HATEFUL EIGHT<\/li>\n<\/ul>\n<h6>BEST ORIGINAL SCORE \u2013 MOTION PICTURE<\/h6>\n<ul>\n<li>CARTER BURWELL &#8211; CAROL<\/li>\n<li>ALEXANDRE DESPLAT &#8211; THE DANISH GIRL<\/li>\n<li>ENNIO MORRICONE &#8211; THE HATEFUL EIGHT<\/li>\n<li>DANIEL PEMBERTON &#8211; STEVE JOBS<\/li>\n<li>RYUICHI SAKAMOTO, ALVA NOTO &#8211; THE REVENANT<\/li>\n<\/ul>\n<h6>BEST ORIGINAL SONG \u2013 MOTION PICTURE<\/h6>\n<ul>\n<li>\u201cLOVE ME LIKE YOU DO\u201d \u2014 FIFTY SHADES OF GREY<br \/>\nMusic by: Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh<br \/>\nLyrics by: Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh<\/li>\n<li>\u201cONE KIND OF LOVE\u201d \u2014 LOVE &amp; MERCY<br \/>\nMusic by: Brian Wilson, Scott Bennett<br \/>\nLyrics by: Brian Wilson, Scott Bennett<\/li>\n<li>\u201cSEE YOU AGAIN\u201d \u2014 FURIOUS 7<br \/>\nMusic by: Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz<br \/>\nLyrics by: Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz<\/li>\n<li>\u201cSIMPLE SONG #3\u201d \u2014 YOUTH<br \/>\nMusic by: David Lang<br \/>\nLyrics by: David Lang<\/li>\n<li>\u201cWRITING&#8217;S ON THE WALL\u201d \u2014 SPECTRE<br \/>\nMusic by: Sam Smith, Jimmy Napes<br \/>\nLyrics by: Sam Smith, Jimmy Napes<\/li>\n<\/ul>\n<h6>BEST TELEVISION SERIES \u2013 DRAMA<\/h6>\n<ul>\n<li>EMPIRE &#8211; FOX<br \/>\n20th Century Fox Television \/ Imagine Television<\/li>\n<li>GAME OF THRONES &#8211; HBO<br \/>\nHBO Entertainment in association with Bighead, Littlehead; Television 360 and Startling Television<\/li>\n<li>MR. ROBOT &#8211; USA NETWORK<br \/>\nUniversal Cable Productions<\/li>\n<li>NARCOS &#8211; NETFLIX<br \/>\nGaumont International Television for Netflix<\/li>\n<li>OUTLANDER &#8211; STARZ<br \/>\nSony Pictures Television<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES \u2013 DRAMA<\/h6>\n<ul>\n<li>CAITRIONA BALFE &#8211; OUTLANDER<\/li>\n<li>VIOLA DAVIS &#8211; HOW TO GET AWAY WITH MURDER<\/li>\n<li>EVA GREEN &#8211; PENNY DREADFUL<\/li>\n<li>TARAJI P. HENSON &#8211; EMPIRE<\/li>\n<li>ROBIN WRIGHT &#8211; HOUSE OF CARDS<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES \u2013 DRAMA<\/h6>\n<ul>\n<li>JON HAMM &#8211; MAD MEN<\/li>\n<li>RAMI MALEK &#8211; MR. ROBOT<\/li>\n<li>WAGNER MOURA &#8211; NARCOS<\/li>\n<li>BOB ODENKIRK &#8211; BETTER CALL SAUL<\/li>\n<li>LIEV SCHREIBER &#8211; RAY DONOVAN<\/li>\n<\/ul>\n<h6>BEST TELEVISION SERIES \u2013 MUSICAL OR COMEDY<\/h6>\n<ul>\n<li>CASUAL &#8211; HULU<br \/>\nLionsgate TV \/ Right of Way<\/li>\n<li>MOZART IN THE JUNGLE &#8211;\u00a0 AMAZON VIDEO<br \/>\nAmazon Studios<\/li>\n<li>ORANGE IS THE NEW BLACK &#8211;<br \/>\nNETFLIXLionsgate Television for Netflix<\/li>\n<li>SILICON VALLEY &#8211;\u00a0 HBO<br \/>\nHBO Entertainment in association with Judgemental Films, Alec Berg, Altschuler Krinsky Works, and 3 Arts Entertainment<\/li>\n<li>TRANSPARENT &#8211;\u00a0 AMAZON VIDEO<br \/>\nAmazon Studios<\/li>\n<li>VEEP &#8211;\u00a0 HBO<br \/>\nHBO Entertainment in association with Dundee Productions<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES \u2013 MUSICAL OR COMEDY<\/h6>\n<ul>\n<li>RACHEL BLOOM &#8211;\u00a0 CRAZY EX-GIRLFRIEND<\/li>\n<li>JAMIE LEE CURTIS &#8211;\u00a0 SCREAM QUEENS<\/li>\n<li>JULIA LOUIS-DREYFUS &#8211;\u00a0 VEEP<\/li>\n<li>GINA RODRIGUEZ &#8211;\u00a0 JANE THE VIRGIN<\/li>\n<li>LILY TOMLIN &#8211;\u00a0 GRACE AND FRANKIE<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES \u2013 MUSICAL OR COMEDY<\/h6>\n<ul>\n<li>AZIZ ANSARI &#8211;\u00a0 MASTER OF NONE<\/li>\n<li>GAEL GARC\u00cdA BERNAL &#8211;\u00a0 MOZART IN THE JUNGLE<\/li>\n<li>ROB LOWE &#8211;\u00a0 THE GRINDER<\/li>\n<li>PATRICK STEWART &#8211;\u00a0 BLUNT TALK<\/li>\n<li>JEFFREY TAMBOR &#8211;\u00a0 TRANSPARENT<\/li>\n<\/ul>\n<h6>BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION<\/h6>\n<ul>\n<li>American Crime &#8211;\u00a0 ABC<br \/>\nABC Studios<\/li>\n<li>American Horror Story: Hotel &#8211;\u00a0 FX<br \/>\n20th Century Fox Television<\/li>\n<li>Fargo &#8211;\u00a0 FX<br \/>\nMGM Television Studios \/ FX Productions<\/li>\n<li>Flesh &amp; Bone &#8211;\u00a0 Starz<br \/>\nStarz<\/li>\n<li>Wolf Hall &#8211;\u00a0 PBS<br \/>\nA Playground Entertainment and Company Pictures production for BBC and MASTERPIECE in association with BBC Worldwide, Atlus Media and Prescience<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION<\/h6>\n<ul>\n<li>KIRSTEN DUNST &#8211;\u00a0 FARGO<\/li>\n<li>LADY GAGA &#8211;\u00a0 AMERICAN HORROR STORY: HOTEL<\/li>\n<li>SARAH HAY &#8211;\u00a0 FLESH &amp; BONE<\/li>\n<li>FELICITY HUFFMAN &#8211;\u00a0AMERICAN CRIME<\/li>\n<li>QUEEN LATIFAH &#8211;\u00a0 BESSIE<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION<\/h6>\n<ul>\n<li>IDRIS ELBA &#8211;\u00a0 LUTHER<\/li>\n<li>OSCAR ISAAC &#8211;\u00a0 SHOW ME A HERO<\/li>\n<li>DAVID OYELOWO &#8211;\u00a0 NIGHTINGALE<\/li>\n<li>MARK RYLANCE &#8211;\u00a0 WOLF HALL<\/li>\n<li>PATRICK WILSON &#8211;\u00a0 FARGO<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION<\/h6>\n<ul>\n<li>UZO ADUBA &#8211;\u00a0 ORANGE IS THE NEW BLACK<\/li>\n<li>JOANNE FROGGATT &#8211;\u00a0 DOWNTON ABBEY<\/li>\n<li>REGINA KING &#8211;\u00a0 AMERICAN CRIME<\/li>\n<li>JUDITH LIGHT &#8211;\u00a0 TRANSPARENT<\/li>\n<li>MAURA TIERNEY &#8211;\u00a0 THE AFFAIR<\/li>\n<\/ul>\n<h6>BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION<\/h6>\n<ul>\n<li>ALAN CUMMING &#8211;\u00a0 THE GOOD WIFE<\/li>\n<li>DAMIAN LEWIS &#8211;\u00a0 WOLF HALL<\/li>\n<li>BEN MENDELSOHN &#8211;\u00a0 BLOODLINE<\/li>\n<li>TOBIAS MENZIES &#8211;\u00a0 OUTLANDER<\/li>\n<li>CHRISTIAN SLATER &#8211;\u00a0 MR. ROBOT<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>BEST MOTION PICTURE \u2013 DRAMA CAROL Number 9 Films; The Weinstein Company MAD MAX: FURY ROAD Warner Bros. Pictures \/ Village Roadshow Pictures \/ Kennedy Miller Mitchell; Warner Bros. Pictures THE REVENANT Regency Enterprises; Twentieth Century Fox ROOM Element Pictures \/ No Trace Camping; A24 SPOTLIGHT Anonymous Content \/ Participant Media \/ First Look; Open&hellip; <a class=\"more-link\" href=\"https:\/\/www.samdb.co.za\/blogs\/blog\/2016\/01\/10\/nominees-for-the-2016-golden-globe-awards\/\">Continue reading <span class=\"screen-reader-text\">Nominees for the 2016 Golden Globe Awards<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-1825","post","type-post","status-publish","format-standard","hentry","category-awards","entry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/1825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/comments?post=1825"}],"version-history":[{"count":0,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/1825\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media?parent=1825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/categories?post=1825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/tags?post=1825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}