{"id":18846,"date":"2023-06-08T15:09:30","date_gmt":"2023-06-08T13:09:30","guid":{"rendered":"https:\/\/www.samdb.co.za\/blogs\/?p=18846"},"modified":"2023-06-08T15:10:29","modified_gmt":"2023-06-08T13:10:29","slug":"naledi-theatre-wards-2023","status":"publish","type":"post","link":"https:\/\/www.samdb.co.za\/blogs\/blog\/2023\/06\/08\/naledi-theatre-wards-2023\/","title":{"rendered":"Naledi Theatre Awards 2023"},"content":{"rendered":"
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\"\"<\/a><\/figure>\n<\/div>\n\n\n

BEST PRODUCTION FOR CHILDREN & YOUNG AUDIENCES (Aged 0-13) \u2013 SUPPORTED BY ASSITEJ SA<\/strong><\/h4>\n\n\n\n

Innocence Lost (National Children\u2019s Theatre)<\/p>\n\n\n\n

BEST PERFORMANCE IN A PRODUCTION FOR YOUNG AUDIENCES<\/strong><\/h4>\n\n\n\n

Noni Mkhonto (The Little Mermaid Jr. \u2013 People\u2019s Theatre) <\/p>\n\n\n\n

BEST PRODUCTION: INDEPENDENT-\/FRINGE THEATRE<\/strong><\/h4>\n\n\n\n

Cruise (HIV@40)<\/p>\n\n\n\n

BEST PERFORMANCE IN AN INDEPENDENT-\/FRINGE THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Daniel Geddes (Cruise \u2013 HIV@40)<\/p>\n\n\n\n

BEST PRODUCTION: STUDENT THEATRE<\/strong><\/h4>\n\n\n\n

Cabaret (Redhill School)<\/p>\n\n\n\n

BEST PERFORMANCE IN A STUDENT THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Nicolas Hattingh (Cabaret \u2013 Redhill School)<\/p>\n\n\n\n

BEST PRODUCTION: DANCE, PHYSICAL THEATRE AND BALLET<\/strong><\/h4>\n\n\n\n

Ingress (Moving Into Dance)<\/p>\n\n\n\n

BEST PERFORMANCE IN A DANCE, PHYSICAL THEATRE AND BALLET PRODUCTION<\/strong><\/h4>\n\n\n\n

Oscar Buthelezi (Ingress \u2013 Moving Into Dance)<\/p>\n\n\n\n

BEST SUPPORTING ACTRESS IN A PLAY<\/strong><\/h4>\n\n\n\n

Jennifer Steyn (The Beauty Queen of Leenane)<\/p>\n\n\n\n

BEST SUPPORTING ACTOR IN A PLAY<\/strong><\/h4>\n\n\n\n

Sven Ruygrok (The Beauty Queen of Leenane)<\/p>\n\n\n\n

BEST BREAKTHROUGH PERFORMANCE<\/strong><\/h4>\n\n\n\n

Boitumelo Morule (Pelegi)<\/p>\n\n\n\n

BEST CHOREOGRAPHY IN A PLAY OR MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Ignatius van Heerden (Birthing Nureyev)<\/p>\n\n\n\n

BEST ORIGINAL SCORE \/ MUSICAL ARRANGEMENTS<\/strong><\/h4>\n\n\n\n

Sne Dladla, Zolani Shangase, Dionne Song & Viwe Mkizwana (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST ORIGINAL SOUNDSCAPE<\/strong><\/h4>\n\n\n\n

Lungiswa Plaatjies (Kunene and the King)<\/p>\n\n\n\n

BEST MUSICAL DIRECTOR<\/strong><\/h4>\n\n\n\n

Dale Ray Scheepers, Viwe Mkizwana & Zolani Shangase (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST PERFORMANCE IN A SOLO PRODUCTION<\/strong><\/h4>\n\n\n\n

Ruan Wessels (Plesierengel)<\/p>\n\n\n\n

BEST PERFORMANCE IN A SOLO COMEDY PRODUCTION (WITH ELEMENTS OF STAND-UP)<\/strong><\/h4>\n\n\n\n

Alan Committie (Live and Let Laugh)<\/p>\n\n\n\n

BEST ENSEMBLE IN A MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Ensemble (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST ENSEMBLE IN A PLAY<\/strong><\/h4>\n\n\n\n

Cast (The Red on the Rainbow)<\/p>\n\n\n\n

BEST COSTUME DESIGN<\/strong><\/h4>\n\n\n\n

Anjil Naidoo, Priyen Naidoo, Jerry D\u2019Souza & Bipin Tanna (Aladdin and his Wonderful Lamp)<\/p>\n\n\n\n

BEST THEATRE SET DESIGN<\/strong><\/h4>\n\n\n\n

Greg King (The Beauty Queen of Leenane)<\/p>\n\n\n\n

BEST THEATRE AV DESIGN<\/strong><\/h4>\n\n\n\n

Andrew Timm (Janice Honeyman\u2019s Adventures in Pantoland)<\/p>\n\n\n\n

BEST LIGHTING DESIGN<\/strong><\/h4>\n\n\n\n

Bobby Heaney & Francois van der Hoven (Fordsburg\u2019s Finest)<\/p>\n\n\n\n

BEST SOUND DESIGN<\/strong><\/h4>\n\n\n\n

Pieter-Louis van Twisk (Die Gelofte)<\/p>\n\n\n\n

BEST DIRECTOR OF A MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Janice Honeyman (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST DIRECTOR OF A PLAY<\/strong><\/h4>\n\n\n\n

Charmaine Weir-Smith (The Beauty Queen of Leenane)<\/p>\n\n\n\n

BEST SUPPORTING ACTRESS IN A MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Momo Matsunyane (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST SUPPORTING ACTOR IN A MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Sibusiso Mxosana (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST LEADING ACTRESS IN A MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Amanda Strydom (Brel\/Piaf)<\/p>\n\n\n\n

BEST LEADING ACTOR IN A MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Sandisile Dlangalala (Hlakanyana \u2013 The Musical)<\/p>\n\n\n\n

BEST LEADING ACTRESS IN A PLAY<\/strong><\/h4>\n\n\n\n

Gontse Ntshegang (The Parrot Woman)<\/p>\n\n\n\n

BEST LEADING ACTOR IN A PLAY<\/strong><\/h4>\n\n\n\n

Michael Richard (Kunene and the King)<\/p>\n\n\n\n

BEST NEW SOUTH AFRICAN SCRIPT<\/strong><\/h4>\n\n\n\n

John Kani (Kunene and the King)<\/p>\n\n\n\n

BEST PRODUCTION OF A PLAY<\/strong><\/h4>\n\n\n\n

The Beauty Queen of Leenane (How Now Brown Cow)<\/p>\n\n\n\n

BEST PRODUCTION OF A MUSICAL\/MUSICAL THEATRE PRODUCTION<\/strong><\/h4>\n\n\n\n

Hlakanyana \u2013 The Musical (UJ Arts & Culture and Madevu Entertainment)<\/p>\n","protected":false},"excerpt":{"rendered":"

BEST PRODUCTION FOR CHILDREN & YOUNG AUDIENCES (Aged 0-13) \u2013 SUPPORTED BY ASSITEJ SA Innocence Lost (National Children\u2019s Theatre) BEST PERFORMANCE IN A PRODUCTION FOR YOUNG AUDIENCES Noni Mkhonto (The Little Mermaid Jr. \u2013 People\u2019s Theatre)  BEST PRODUCTION: INDEPENDENT-\/FRINGE THEATRE Cruise (HIV@40) BEST PERFORMANCE IN AN INDEPENDENT-\/FRINGE THEATRE PRODUCTION Daniel Geddes (Cruise \u2013 HIV@40) BEST… Continue reading Naledi Theatre Awards 2023<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12],"tags":[131],"class_list":["post-18846","post","type-post","status-publish","format-standard","hentry","category-awards","tag-naledi","entry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/18846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/comments?post=18846"}],"version-history":[{"count":0,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/18846\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media?parent=18846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/categories?post=18846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/tags?post=18846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}