{"id":23326,"date":"2025-03-03T17:56:04","date_gmt":"2025-03-03T15:56:04","guid":{"rendered":"https:\/\/www.samdb.co.za\/blogs\/?p=23326"},"modified":"2025-03-03T17:56:07","modified_gmt":"2025-03-03T15:56:07","slug":"mickey-17-in-cinemas-7-march-2025","status":"publish","type":"post","link":"https:\/\/www.samdb.co.za\/blogs\/blog\/2025\/03\/03\/mickey-17-in-cinemas-7-march-2025\/","title":{"rendered":"&#8220;Mickey 17&#8221; &#8211; in Cinemas 7 March 2025"},"content":{"rendered":"\n<p>Walking onto the set of Bong Joon Ho\u2019s highly anticipated <em><a href=\"https:\/\/www.samdb.co.za\/title\/2538\" data-type=\"link\" data-id=\"https:\/\/www.samdb.co.za\/title\/2538\" target=\"_blank\" rel=\"noreferrer noopener\">Mickey 17<\/a><\/em>, I\u2019ve never felt so small. A soundstage at Warner Bros. Studios Leavesden in Hertfordshire, England, has been transformed into the interior of a gargantuan spacecraft. I stand surrounded by a cavernous collage of practical sets, encapsulating me in a mechanical world that feels very far from home. In fact, the only thing about this place that feels semi-familiar is the dozens of people buzzing about, each working to refine the set\u2019s design in some small way. The attention to detail is of absolute note here; each crew member and craftsperson works diligently to capture the essence of their visionary director\u2019s story of the \u201cexpendable\u201d named Mickey Barnes.<\/p>\n\n\n\n<p>Bong Joon Ho has what Robert Pattison\u2014who plays Mickey\u2014calls \u201ca very powerful aura.\u201d He never struck me as the kind of filmmaker who takes himself too seriously, and his demeanor on today\u2019s set only confirms that notion. Dressed in sneakers and a simple black t-shirt, he moves from department to department with a translator by his side and a smile on his face. Many directors openly bemoan the production process as anxiety-ridden and strenuous. Bong would not appear to fall in with this crowd. He seems strangely at ease here in the heart of production on his latest dazzler, happily conversing with collaborators and crew.<\/p>\n\n\n\n<p>\u201cThe writing process is very lonely and very painful,\u201d Bong says with a laugh. \u201cSometimes I don\u2019t want to do it at all, but I always know it\u2019s going to be over in six or eight months, so I face it head-on with that in mind. I try to make myself as lonely as possible. I tend to write better when I\u2019m isolated.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-instagram wp-block-embed-instagram\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DGvjHskNkg5\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/DGvjHskNkg5\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script>\n<\/div><\/figure>\n\n\n\n<p>It was from one of these painful periods of isolation that the writer-director emerged with his newest script, <em>Mickey 17<\/em>, an adaptation of Edward Ashton\u2019s 2022 novel, <em>Mickey7<\/em>.<\/p>\n\n\n\n<p>\u201cThe novel\u2019s basic sci-fi concept was very interesting, but I was struck by the story\u2019s human touch,\u201d says Bong. \u201cIt touches upon the human heart and the instincts we carry. From there, I felt certain I could draw out a lot of black comedy, humor and all sorts of interesting emotions. I knew that although this is a sci-fi story, it wouldn\u2019t feel like sci-fi. It would be about the everyday human condition.\u201d<\/p>\n\n\n\n<p>Dooho Choi, Bong\u2019s longtime producing partner, holds more insight than most on the inner workings of the filmmaker\u2019s process. Over the course of their 14-year collaboration, Choi has witnessed first-hand the continued evolution of a filmmaker with \u201ca lot on his mind.\u201d<\/p>\n\n\n\n<p>\u201cHe\u2019s very passionate about social issues,\u201d says Choi, \u201cbut he has a way of telling it in the most entertaining and funny way. He always likes to say, \u2018We\u2019re telling a story. We want to give the audience a ride, make them laugh and cry and just thoroughly enjoy themselves when they\u2019re in the theater. But then, maybe as they\u2019re going home on the bus or in the cab or they\u2019re about to fall asleep, they start thinking about some of the ideas behind it.\u2019 I think that\u2019s the best kind of movie, where it\u2019s not just pure popcorn, it\u2019s that, <em>plus<\/em> an idea underneath it.\u201d<\/p>\n\n\n\n<p>Bong\u2019s introduction to the project came when he was given the novel <em>Mickey7<\/em>, passed to him by Jeremy Kleiner, who, along with Dede Gardner, preside over Plan B, the Oscar-winning production company owned by Brad Pitt, as Co-Presidents. Previous collaborating producers on 2017\u2019s <em>Okja<\/em>, they again serve as producers, along with Bong and Choi.<\/p>\n\n\n\n<p>\u201cI think what spoke to Bong, as with some of his other films\u201d says Choi, \u201cwas the theme of the small guy or the little guy trying to survive in a system that is very oppressive. He gravitated to this notion of a working-class guy trying to just survive.\u201d<\/p>\n\n\n\n<p>\u201cIt\u2019s also very funny,\u201d interjects Bong. \u201cIt\u2019s not a big space epic where people shoot laser beams. It\u2019s about these silly losers. The story is packed with people who are endearingly silly.\u201d<\/p>\n\n\n\n<p>The director eagerly sought out Robert Pattinson to portray the film\u2019s titular character after a long time spent observing his rise as a leading man.<\/p>\n\n\n\n<p>\u201cWe\u2019ve all known Robert since <em>Harry Potter,<\/em>\u201d says Bong, \u201cbut I started seeing him under another light as an actor through <em>Good Time<\/em> with the Safdie brothers and his riveting performance in <em>The Lighthouse<\/em> with Willem Dafoe. He became an actor on another level with those two works. Same goes for <em>The Batman<\/em>. I thought <em>Mickey 17<\/em> would ignite the ambitions he has as an actor, and that we would be able to have fun and inspire each other.\u201d<\/p>\n\n\n\n<p>Dressed in full costume with an unfortunate bowl haircut, Pattinson shares with me his equal admiration for Bong as I approach him during a lull between setups.<\/p>\n\n\n\n<p>\u201cI think nowadays there are very few directors in the world who are on Bong\u2019s level,\u201d says Pattinson. \u201cHe\u2019s living in very rarified air. I\u2019ve just been such a huge fan of his. And it just came out of nowhere\u2014&#8217;There\u2019s a Bong project.\u2019 Then the script came in, and it is one of the craziest things I\u2019d ever read. It felt risky, but in a really nice way, and it is wonderful to do it with someone by whom you feel supported as well.\u201d<\/p>\n\n\n\n<p>Pattinson found in Bong\u2019s script a protagonist of unexpected complexity.<\/p>\n\n\n\n<p>\u201cMickey is a deceptively complicated character,\u201d Pattinson explains. \u201cAt first glance, he seems like a simpleton, but he\u2019s not. He has quite specific desires. He\u2019s innocent and na\u00efve in lots of ways. He comes from a place of extreme hurt and he\u2019s trying to deal with a lot of trauma, but it manifests itself looking quite silly to other people. But it\u2019s not silly to him.\u201d<\/p>\n\n\n\n<p>In the film, Mark Ruffalo portrays Kenneth Marshall\u2014a committed former politician hell-bent on delivering his followers to a pristine new world, Niflheim, filled with Utopian promise.<\/p>\n\n\n\n<p>\u201cWhen I first read the script, it was both exciting and totally intimidating,\u201d admits Ruffalo. \u201cHonestly, I wasn\u2019t sure I was the right fit\u2014I had never played a character like this before. When I met Director Bong, I said, \u2018I don\u2019t know if I\u2019m the right person for this\u2026\u2019 And he replied, \u2018What are you talking about? I wrote it with your voice in my head.\u2019 I was shocked\u2014and so honored.\u201d<\/p>\n\n\n\n<p>The film boasts an ensemble cast of amazingly talented performers, many of whom are set to appear in the upcoming scene.<\/p>\n\n\n\n<p>Toni Collette plays Marshall\u2019s wife, Ylfa. Director Bong explains, \u201cThere\u2019s a specific dynamic between the couple that\u2019s another small engine that drives the story. Steven Yeun plays Timo. As I mentioned earlier, this film is sci-fi, but it doesn\u2019t really feel like sci-fi. Steven really adds to this <em>not<\/em> sci-fi aspect. He makes the film feel very unique. And Naomi brings the heart, and she has such explosive energy.\u201d<\/p>\n\n\n\n<p>Adding to the production\u2019s uniqueness are the few dozen craftspeople working diligently behind the camera, exactingly culling Director Bong\u2019s world within our own.<\/p>\n\n\n\n<p>\u201cMy role on this project is to do as much in camera as possible,\u201d says VFX Supervisor Dom Tuohy. \u201cDirector Bong wants to do everything practically, and for us as a department, that\u2019s what it\u2019s all about. I personally think that\u2019s the way to go.\u201d<\/p>\n\n\n\n<p>For Tuohy, the director\u2019s reputation proved to be more than just a movie industry legend. \u201cLook, everyone does these interviews,\u201d says Tuohy, \u201cand everyone says, \u2018Oh, the director is amazing.\u2019 Director Bong is the <em>best<\/em> person I\u2019ve ever worked with.\u201d<\/p>\n\n\n\n<p>The respect seems mutual and palpable as Director Bong gushes over his crew.<\/p>\n\n\n\n<p>\u201cWe have the great cinematographer Darius Khondji,\u201d says Bong, \u201ca true artist who also did <em>Okja<\/em> with me. Production designer Fiona Crombie, who\u2019s recently done amazing work with Yorgos Lanthimos. Our composer is Jung Jaeil; this is our third film together. And our costume designer is Catherine George\u2014she\u2019s a longtime colleague and it\u2019s always a joy to see the costumes she comes up with.\u201d<\/p>\n\n\n\n<p>\u201cThe film is deeply original,\u201d says Crombie, \u201cand I don\u2019t think Director Bong can have it any other way. He just cannot help it. It\u2019s in every fiber of his being.\u201d<\/p>\n\n\n\n<p>Finally, cameras begin to roll on the scene Bong\u2019s crew has been preparing for all day. Director Bong works off of his infamously detailed storyboards, never shooting anything extraneous or self-indulgent\u2014only that which is necessary to the telling of the story. However, when it comes to performance, the goal seems much more abstract.<\/p>\n\n\n\n<p>\u201cI\u2019m very obsessed with storyboards\u2014I can\u2019t make films without them,\u201d says Bong. \u201cBut, in terms of the actors\u2019 performances, I try to stay as open as possible. I always welcome improvisation. It\u2019s a contradiction. I have the camera placement and framing firmly established from my storyboards, but I tell the actors to be as comfortable and as free as possible within that. It\u2019s a paradox, but that\u2019s how I work.\u201d<\/p>\n\n\n\n<p>This approach says a lot about the film being made, and the filmmaker making it. The future often seems like an unfamiliar place. With the rebirth and privatization of the space race, the stampeding advancement of artificial intelligence, and an ever-growing dependency on cold, unfeeling machines, life has never felt more like the inside of a lonely spacecraft. The only familiarity to cling to in the future will be our most basic sense of humanity. Even in the depths of outer space, if humans are present, the flame of love and kindness stands the chance to burn bright in the darkness.<\/p>\n\n\n\n<p>\u201cThis is a sci-fi film, but it\u2019s also a comedy, a very human story,\u201d Director Bong tells me as he and his crew wrap up the day. \u201cI hope the audience enjoys it for what it is. And when they go home after watching it, I hope they spend a brief moment thinking about what makes us human, what we must do to <em>stay<\/em> human.<\/p>\n\n\n\n<p>\u201cJust briefly\u201d he quickly adds, with his near trademark glee. \u201cThree minutes, maybe.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mickey 17 - trailer\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/lNbFyFSg2rQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Mickey 17 opens 7 March 2025 in South African cinemas<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Walking onto the set of Bong Joon Ho\u2019s highly anticipated Mickey 17, I\u2019ve never felt so small. A soundstage at Warner Bros. Studios Leavesden in Hertfordshire, England, has been transformed into the interior of a gargantuan spacecraft. I stand surrounded by a cavernous collage of practical sets, encapsulating me in a mechanical world that feels&hellip; <a class=\"more-link\" href=\"https:\/\/www.samdb.co.za\/blogs\/blog\/2025\/03\/03\/mickey-17-in-cinemas-7-march-2025\/\">Continue reading <span class=\"screen-reader-text\">&#8220;Mickey 17&#8221; &#8211; in Cinemas 7 March 2025<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":23327,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-23326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","entry"],"jetpack_featured_media_url":"https:\/\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2025\/03\/mickey17banner.avif","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/23326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/comments?post=23326"}],"version-history":[{"count":0,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/23326\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media\/23327"}],"wp:attachment":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media?parent=23326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/categories?post=23326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/tags?post=23326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}