{"id":23574,"date":"2025-05-07T21:36:59","date_gmt":"2025-05-07T19:36:59","guid":{"rendered":"https:\/\/www.samdb.co.za\/blogs\/?p=23574"},"modified":"2025-05-07T21:37:01","modified_gmt":"2025-05-07T19:37:01","slug":"national-arts-festival-reveals-2025-programme-highlights","status":"publish","type":"post","link":"https:\/\/www.samdb.co.za\/blogs\/blog\/2025\/05\/07\/national-arts-festival-reveals-2025-programme-highlights\/","title":{"rendered":"National Arts Festival Reveals 2025 Programme Highlights"},"content":{"rendered":"\n

Vivid. Bold. Unfiltered – The National Arts Festival Reveals Highlights of its 2025 Programme<\/strong><\/p>\n\n\n\n

One year after its 50th milestone, the National Arts Festival reclaims its rebel roots with an energetic programme that channels the restlessness of the times and the promise of an invigorating cultural escape. Hosted in its home town of Makhanda in the Eastern Cape, between 26 June and 6 July, audiences can look forward to a blend of local and international works that provoke and imagine, protest and remember.<\/p>\n\n\n\n

Musing on the evolution of this year\u2019s programme the National Arts Festival\u2019s Artistic Director, Rucera Seethal says, \u201cThe global landscape is entirely unpredictable; trends emerge and collapse, institutions quiver, shocks reverberate and radical new ideas rumble below a tense surface. The Festival is a fluid container for these conversations. Unhinged from the daily grind, artists first see and then weave\u00a0 – through words, art, body or expression – that which we are too busy to truly notice. At the Festival we enter this world of the artist, leaving the everyday for the unexpected.\u201d<\/p>\n\n\n\n

A gathering of the collective heartbeat of South African creativity, here are some of the highlights of what to expect at the 2025 National Arts Festival:<\/p>\n\n\n\n

The Body as Storyteller<\/strong><\/h3>\n\n\n\n

On the Curated Programme, dance (and a shot of sherry) offsets the Makhanda winter chill. Dance disruptor Cape Ballet Africa\u2019s<\/strong> triple bill SALT<\/em> is a series of pieces with powerful choreography by Kirsten Isenberg, the award-winning Mthuthuzeli November <\/strong>and Michelle Reid<\/strong>. An exciting addition to this National Arts Festival outing is the performance of  George Balanchine\u2019s<\/strong> Allegro Brilliante<\/em> – a joyous celebration of expansive romanticism, set to Tchaikovsky\u2019s soaring Piano Concerto No. 3<\/em>. It will be staged for Cape Ballet Africa by Diana White<\/strong> of the George Balanchine Trust, who has spent her lifetime studying, performing, staging and coaching Balanchine\u2019s works.<\/p>\n\n\n\n

Fusing isiPantsula<\/em> and several traditional dance forms such as indlamu, setapa, tsutsube and toitoi as a quilt for the rhythm of protest activism, Izithukuthuku<\/em> is a dance portrait of the diminution of the soul of a migrant worker. Using the percussive sound and the rhythms created by the industrial machinery that is the city; the typewriter and paper as symbols of instructive language, the work is co-conceptualised and choreographed by Vusimuzi Mdoyi<\/strong> and multi-award winning creative Phala Ookeditse Phala<\/strong>, who also directed the piece.<\/p>\n\n\n\n

Choreographers Eisa Jocson<\/strong> and Venuri Perera <\/strong>hail from Sri Lanka and the Philippines; countries known for exporting labour to the West. Their dance performance Magic Maids<\/em>, is part ritual, part performance, an examination of the entanglement of historic European witch-hunting and the exploitation of female labour, in particular that of domestic workers from the Global South, to the present day.<\/p>\n\n\n\n

Choreographed and performed by Oscar Buthelezi <\/strong>and Muzi Shili<\/strong>, Road<\/em> is an award-winning Afro-Fusion duet that meditates on solidarity, and survival. Lit by themes of hope and endurance, it reflects on the light and shadow of humanity.<\/p>\n\n\n\n

A bridge between dance and theatre, circus entices audiences of all ages and this year\u2019s Festival sees the return of crowd favourite The Cirk<\/strong> with Malo and the Moon Maiden<\/em>. Directed by Janice Honeyman<\/strong>, with music by Wessel Odendaal,<\/strong> Malo and the Moon Maiden<\/em> tells the story of Malo the Clown and his eternal devotion to Melodia Luna, the celestial Moon-Maiden, set against the backdrop of a once-glorious circus faded by time. Featuring Claudia Moruzzi<\/strong> and Yahto Kraft <\/strong>alongside a vibrant chorus of characters and circus folk, including singers, dancers and aerial artists, in a rich tapestry of movement and magic for all ages.<\/p>\n\n\n\n

Die Een Wat Bly<\/em> is part dream and part testimony featuring Grant van Ster, Shaun Oelf<\/strong> and Daneel van der Walt<\/strong>. Straddling dance, physical theatre and text, the play uses the company\u2019s personal memories as a starting point to explore the relationship between mothers and sons. A dancer confronts his dying mother and walks through the flashes of his memory, as well as the imagined secret life of his mother, to come to terms with his past, his identity, his family and his future on a path to healing.  This production is part of a body of work supported by the recently formed Festival Enterprise Catalyst project with funding from the Jobs Fund, that supports the mobility and longevity of productions. Die Een Wat Bly <\/em>premiered to great acclaim at KKNK in April and joins the National Arts Festival programme after performances at Suidoosterfees in May.<\/p>\n\n\n\n

Chaos Curated<\/strong><\/h3>\n\n\n\n

This year\u2019s Curated theatre programme is a mash-up of ideas that run amok in reflection of the troubles, ruptures and near-breakthroughs of our times. Many works pioneer into the ever-narrowing blur between real life and digital.<\/p>\n\n\n\n

UK company Action Hero<\/strong>, brings the acclaimed experimental theatre work The Talent <\/em>to this year\u2019s Festival. It\u2019s a work that questions what legacy the human voice might leave in a post-human future. Winner of an Off West End Award for Best Performance, and shortlisted for Best Production (experimental theatre), The Talent<\/em> sold out its run in London and at the Edinburgh Festival, after its premiere in Lisbon, Portugal.<\/p>\n\n\n\n

Bridling<\/em>, an brand new adaptation of Nadia Davids<\/strong>\u2019 Caine Prize short story by the same name is a dark, unsettling story about creativity, co-opted feminism, fierce compromises, performances of the self and history, and small rebellions reminiscent of Kafka’s ‘A Hunger Artist’. <\/em>Director Jay Pather<\/strong> will adapt the story – using his signature merging of text, the visual and dance – with performers Buhle Ngaba<\/strong> and Shaun Oelf<\/strong>. This premiere work will be the first time these four artists work together since the much-garlanded What Remains<\/em>. This work is also supported by the Festival Enterprise Catalyst project and will travel to Woordfees in October this year.
<\/strong>In collaboration with the Mandela Bay Theatre Complex, Athol Fugard <\/strong>will be remembered through the staging of two plays, both co-written by John Kani<\/strong> and Winston Ntshona<\/strong>; The Island<\/em> and Sizwe Banzi is Dead<\/em>. The works will be directed by Ovation Award-winning (The Tyrant) Gqeberha-based director and playwright Xabiso Zweni<\/strong>. Fugard spent much of his life in the Eastern Cape, inspired at first by the pivotal partnerships he formed there and then by the solitude that he was afforded to write his solo plays.<\/p>\n\n\n\n

After a hiatus from directing, Rehane Abrahams<\/strong> will premiere her new work The Fugue of Tjebolang<\/em> at the 2025 Festival with the support of the Festival Enterprise Catalyst. It follows the carnal adventures of the seductive Tjebolang who runs away from home to journey through a mystical maze of  Sufi scholars, prostitutes, hermits, shadow puppets, medicine men, ulama women, martial artists; free minds, runaways and outcasts, who tinker unceasingly at the periphery of power, and weave this hallucinating erotic and spiritual yarn of Java. Tjebolang will be played by artist\/activist and Mother of the House of Vineyard,  Cheshire V<\/strong>, who will be joined by young Fleur Du Cap-winning performer, Lukhanyiso Skosana<\/strong> and Sizwe Mnisi<\/strong> (the Fall).<\/p>\n\n\n\n

National Playwright Award winner Campbell Meas<\/strong> sees her newly awarded script Vakavigwa (Burials\/They Were Buried)<\/em> presented at the National Arts Festival this year. A gripping and ambitious work,\u00a0 it\u2019s an emergent voice for contemporary theatre that breaks boundaries with multimedia integration and multi-plane storytelling. The story explores the troubling relationships many South Africans have with other Africans, asking where our African solidarity and humanity lies.<\/p>\n\n\n\n

Musical Roots, Journeys and Tributes<\/strong><\/h3>\n\n\n\n

Xhosa vocalist, storyteller, and multidisciplinary performer, Anelisa \u201cAnnalyzer\u201d Stuurman <\/strong>will be at the Festival with <\/strong>Izwi Lami (My Voice)<\/em>. <\/strong>Inspired by the Xhosa lunar calendar, this work honours a\u00a0 time of spiritual renewal, memory, and replanting in an intimate ritual performance weaving\u00a0 together traditional Xhosa musicality, operatic voice, and narrative storytelling.<\/p>\n\n\n\n

Much-loved acapella group, The Soil<\/em>, will make a welcome return to the Festival with their energising vocal harmony and charismatic audience rapport. Audiences can expect a night of joy, unity, and celebration.<\/p>\n\n\n\n

The Wits Trio<\/em>, who are celebrating 15 years of playing together this year, are bringing a classical note to the Festival but with a twist as they highlight compositions created during times of rebellion. A sound chamber from the past to remind us of history\u2019s great conflicts.<\/p>\n\n\n\n

Makhanda\u2019s International Library of African Music ILAM at Rhodes is widely acknowledged to be one of the greatest repositories of African music in the world. At this year\u2019s NAF, a DJ will be presenting pop-up performances from their archive, including Hugh Tracey Sound of Africa<\/em> and Kwela and Township Jazz from 78rmps<\/em> sets.<\/p>\n\n\n\n

The National Jazz Festival Makhanda will present a programme of works soon to be announced, alongside the National Youth Jazz Festival, the only programme of its kind to bring jazz mentors and students together for a jazz intensive that combines performances, workshops and jam sessions.<\/p>\n\n\n\n

The Eastern Cape\u2019s cultural and artistic  landscape will also be traversed through the Eastern Cape showcase; a project presented by the National Arts Festival in partnership with the Eastern Cape Department of Sport, Recreation, Arts and Culture.<\/p>\n\n\n\n

Another independent programme at the National Arts Festival, the Black Power Station\u2019s<\/strong> powerful presentation of music and talks is a Festival highlight with a loyal and growing following who warm their hands and hearts at the fireside of the old power station venue late into the night.<\/p>\n\n\n\n

Always a much anticipated part of the Festival programme, this year\u2019s Standard Bank Young Artists; Asanda Ruda<\/strong> (Dance), Siya Charles<\/strong> (Jazz), Calvin Ratladi<\/strong> (Theatre), Muneyi<\/strong> (Music), Nyakallo Maleke <\/strong>(Visual Art) and Modise Sekgothe<\/strong> (Poetry) will premiere their works at the National Arts Festival – setting the tone for a new generation of creatives who are trailblazing in South Africa and the world. More about those works soon.<\/p>\n\n\n\n

Straight from the Edge<\/strong><\/h3>\n\n\n\n

The National Arts Festival\u2019s Fringe is once again bursting with new ideas, old favourites and a diversity of works\u00a0 – from comedy and music to experimental theatre dance and poetry. (notes to media – a separate release will expand on this programme further).<\/em><\/p>\n\n\n\n

Some of the highlights include Conrad Koch and Chester Missing<\/strong> who will be among the comedy players delighting fans with Puppet Power <\/em>and Khanyisa Jam Jam<\/strong> who has been freshly anointed Savanna Comics Choice Breakthrough Act of the Year (2025) <\/em>after winning a 2024 Ovation Award for Sorry for the Weight<\/em> which returns to Festival stages this year. After a sold-out success last year, Stuart Taylor <\/strong>will be back at the Festival, while Mike van Graan Productions<\/strong> will also return with the satirical piece So Over the Rainbow<\/em>. Yaseen Barnes<\/strong> will also bring his work Thoughts Thinked<\/em> to the Fringe this year.<\/p>\n\n\n\n

Fringe artists this year have created collectives where audiences will be able to binge works from exciting performers collaborating\u00a0 together and creating work in SA\u2019s major cities. Among these is this Spark in the Dark Collective<\/strong>, championed by frequent Festival performers from Cape Town including Sophie Joans, Sibuyiselo Dywili, Dara Beth, Christie van Niekerk<\/strong> and Tshiamo Moretlwe<\/strong> – among others – performing a variety of works.<\/p>\n\n\n\n

The 031 Collective<\/strong> sees Durban festival stalwarts Lisa and Aaron McIlroy<\/strong>, along with daughter Kaylee McIlroy, Micheal Taylor-Broderick <\/strong>and Aldo Brincat<\/strong>, presenting a collection of works spanning comedy to drama.<\/p>\n\n\n\n

From Johannesburg, TX Collective<\/strong> has formed a gathering around works from key Johannesburg players including the Tx Theatre, Soetry Media, The independent Theatre Makers Zone <\/strong>and The Generation of Stars.<\/strong><\/p>\n\n\n\n

ASSITEJ South Africa <\/strong>\u00a0is collaborating with the Festival to present a hub of family theatre productions for young children to teens. The Festival has also attracted a significant student showcase with works presented by universities from across South Africa including Rhodes, UCT, Walter Sisulu University. University of Zululand, Sol Plaatjie University, University of Venda, Tshwane University of Technology<\/strong> and the University of Limpopo.<\/strong><\/p>\n\n\n\n

The Festival\u2019s Village Green visitors will also be in for a treat. The National Arts Festival, Durban\u2019s The Playhouse Company and the Mandela Bay Theatre Complex will\u00a0 bring a pop-up stage truck to the popular Festival hub which will feature a daily programme of family theatre and music performances. Visitors will also be treated to the famous Sundowner Concerts (5pm) at The Monument; a chance to glimpse some of the talent within the Fringe programme in a free concert for all.<\/p>\n\n\n\n

For those not able to soak up the Festival in person, a collection of VFringe on demand videos will also be on the programme including works from Jacques Batista, Mbali Ndlozi, Alan Parker <\/strong>and O\u2019Lerato Maselesa<\/strong>.<\/p>\n\n\n\n

Provocative Dialogues<\/strong><\/h3>\n\n\n\n

The Eastern Cape will also present an exciting programme for this year\u2019s Litfest<\/strong> – the Eastern Cape focused Literature Festival which forms a part of the National Arts Festival. Audiences should also look forward to the second edition of Art Talks<\/em> which take a creative perspective on\u00a0 some of the current affairs issues and big ideas in the world today. These programmes will be revealed soon.<\/p>\n\n\n\n

That was just a taste of what’s to come. The Festival\u2019s programme will be fully revealed when it goes online and bookings open on 13 May 2025. All programme information and bookings can be found at https:\/\/nationalartsfestival.co.za\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Vivid. Bold. Unfiltered – The National Arts Festival Reveals Highlights of its 2025 Programme One year after its 50th milestone, the National Arts Festival reclaims its rebel roots with an energetic programme that channels the restlessness of the times and the promise of an invigorating cultural escape. Hosted in its home town of Makhanda in… Continue reading National Arts Festival Reveals 2025 Programme Highlights<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":23575,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-23574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","entry"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2025\/05\/NAF2025-banner.jpg?fit=600%2C236&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/23574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/comments?post=23574"}],"version-history":[{"count":0,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/23574\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media\/23575"}],"wp:attachment":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media?parent=23574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/categories?post=23574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/tags?post=23574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}