{"id":24676,"date":"2026-04-13T23:40:11","date_gmt":"2026-04-13T21:40:11","guid":{"rendered":"https:\/\/www.samdb.co.za\/blogs\/?p=24676"},"modified":"2026-04-13T23:41:00","modified_gmt":"2026-04-13T21:41:00","slug":"blackmagic-designannounces-davinci-resolve-21","status":"publish","type":"post","link":"https:\/\/www.samdb.co.za\/blogs\/blog\/2026\/04\/13\/blackmagic-designannounces-davinci-resolve-21\/","title":{"rendered":"Blackmagic Design Announces DaVinci Resolve 21"},"content":{"rendered":"\n

Major update adds new Photo page bringing Hollywood\u2019s most advanced color tools to still photos, plus hundreds of new features including even more AI tools, new motion graphic effects, Fairlight folder tracks and\u00a0more!<\/em><\/p>\n\n\n

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Blackmagic Design today announced DaVinci Resolve 21, a significant update introducing the new Photo page, which enables colorists and photographers to use Hollywood\u2019s most advanced color tools for still photos.<\/p>\n\n\n\n

Other updates include new AI tools such as IntelliSearch for fast content searching, CineFocus for focal point adjustment, tools for facial refinement, and more. The Krokodove toolset adds over 70 new graphics to Fusion, Fairlight folders simplify audio track management, plus there are improvements to keyframing, MultiMaster trim passes, layer list node graphs and more. DaVinci Resolve 21 public beta is available for download now from the Blackmagic Design web site.<\/p>\n\n\n\n

DaVinci Resolve 21 will be demonstrated on the Blackmagic Design NAB 2026 booth #N2502.<\/p>\n\n\n\n

DaVinci Resolve\u2019s powerful post-production workflow now fully integrates photo image editing. The new Photo page lets customers import and manage photographs, integrating with the color page for node based grading. Now colorists and photographers can use Hollywood color grading tools on still images.<\/p>\n\n\n\n

Use primary color correction, curves, qualifiers, power windows and node editor to adjust color in artistic ways across an entire project. Plus, customers can use a DaVinci color panel to adjust multiple parameters at once.<\/p>\n\n\n\n

DaVinci Resolve\u2019s powerful node based workflow can now be used on still images. It\u2019s possible to add nodes in series or parallel to build complex grades, apply different corrections to different parts of an image simultaneously and use shared nodes to apply the same look across an entire album of photos at once.<\/p>\n\n\n\n

The Photo page lets customers reframe and crop images at their original source resolution and aspect ratio. Every adjustment preserves the full quality of their original file, so customers can refine their composition at any time without ever affecting image quality.<\/p>\n\n\n\n

LightBox view on the Photo page gives customers an overview of their entire album with grades applied. Select any image and grade it live while seeing the results update across the whole collection in real time. Filter by graded, ungraded, star rating, flag and clip color for fast library management.<\/p>\n\n\n\n

Albums let customers build and manage collections directly in DaVinci. Create albums based on shoot days, camera models, or any desired criteria, and save countless hours by tagging and making raw setting adjustments in batches. Albums appear as timelines on the Color, Cut and Edit pages for easy access.<\/p>\n\n\n\n

Camera Controls let customers tether a Sony or Canon camera directly to DaVinci Resolve for live image capture. Adjust camera settings such as ISO, exposure, white balance, monitor with live view and save capture presets to lock in a consistent look before customers shoot. Images save directly into an album.<\/p>\n\n\n

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Resolve FX and Open FX plug-in support is available for still images on the Photo page, allowing customers to apply effects, graphics, transforms and DCTLs. Customers can apply looks directly in the Photo page with the help of LUTs or generate LUTs to later apply looks in-camera or while monitoring.<\/p>\n\n\n\n

Customers can access DaVinci Resolve\u2019s powerful native AI tools within the Photo page. Tools like the AI Magic Mask let customers make one click selections of an object or person, and separately color grade different elements on an image. Or use the new AI UltraSharpen to upscale low resolution images.<\/p>\n\n\n\n

The Photo page is integrated into DaVinci Resolve\u2019s multiuser collaboration workflow using Blackmagic Cloud. Customers can share the contents of albums, all associated metadata and tags, and all grades and effects with colorists, visual effects artists and editors, simultaneously anywhere in the world.<\/p>\n\n\n\n

Instantly search for people and content with AI IntelliSearch. Analyze media and use the IntelliSearch tool to find specific objects or key words in dialog. Customers can even search for individual faces. Results appear as whole clips in the Media Pool for faster clip organization and editing.<\/p>\n\n\n\n

Customers can generate speech from written text using one of Blackmagic\u2019s voice models or a sample of their own using AI Speech Generator. The DaVinci AI Neural Engine can create a unique voice from as little as a 10 second clip. Adjust speed, pitch and even inflection, to create multiple performances for voiceovers, narration and more.<\/p>\n\n\n\n

Define the focal point of a shot with AI CineFocus. Click to focus on a particular area of a scene and adjust aperture and focal range to change the depth of field. Advanced controls let customers select the aperture shape and add optical effects like bokeh. Customers can even keyframe parameters to rack focus.<\/p>\n\n\n\n

Change an actor\u2019s age with the AI Face Age Transformer tool. Analyze a face, enter the subject\u2019s age and adjust the age offset slider to add or remove age-related features, such as wrinkles and facial fullness. Perfect for maintaining continuity in flashbacks and flash-forward scenes.<\/p>\n\n\n\n

The AI Face Reshaper lets customers change facial features\u2019 shape and position on a moving subject. After detecting and tracking a face in a clip, use the AI Face Reshaper parameters to adjust the eyes, nose, mouth, eyebrows and overall face shape. Manual controls let customers fine-tune the resulting face.<\/p>\n\n\n\n

The AI Blemish Removal tool is perfect for reducing the appearance of superficial skin imperfections such as acne, discoloration, spots and pores while retaining texture of the natural skin. Use the strength slider to adjust the intensity of the tool to better suit the subject in the scene.<\/p>\n\n\n\n

AI Slate ID automatically detects the slate clapperboard details. It intelligently extracts metadata from the slate in the frame, even in dark or out-of-focus clips, saving hours in metadata entry. Media is ready for editing, faster than ever before.<\/p>\n\n\n

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DaVinci\u2019s most advanced sharpening tool to date lets customers produce significantly clearer, high quality moving images. Use AI UltraSharpen with upscaled videos to make previously unusable footage sharp in higher resolutions. AI UltraSharpen can also be used to improve or fix slight focus errors.<\/p>\n\n\n\n

Remove common motion blur artifacts, such as streaks and softness, from video content using AI Motion Deblur. Analyze the source media file and generate a new render with significantly reduced blurring for more dynamic images. This tool is perfect for more impactful slow motion and freeze frame effects.<\/p>\n\n\n\n

Keyframing updates include new ease animations with loop, pingpong and relative modes plus simultaneous adjustments to multiple clips. The curves editor\u2019s normalized zoom mode automatically scales curves to fill the available vertical space. Four-point Bezier easing supports complex video retiming.<\/p>\n\n\n\n

Customers can now adjust Fusion effects directly in the keyframes and curves editors of the cut and edit pages. This allows for more seamless workflows as customers tweak text, transitions and motion graphics without leaving the editing pages. For advanced VFX adjustments, simply click the Fusion button.<\/p>\n\n\n\n

Native support for OGraf HTML graphics and Lottie animations means that customers can now drag .json and .lottie files directly into the media pool, where they will be treated like fully rendered animation clips. Alpha channels are recognized, allowing customers to layer graphics and titles over video tracks.<\/p>\n\n\n\n

Customers can now enable multi-language spell check for all text elements, preview fonts in a dedicated font browser window and use emojis in their text. Character level styling lets customers assign different attributes such as font size, weight and color within a single text box, simplifying title design.<\/p>\n\n\n\n

In the cut page, the bin list dropdown now features smart bins and quick access buttons for creating new bins. Smart bins allow customers to design sophisticated media pool filters based on a wide range of rules and criteria. For example, filtering to display only .braw clips that have been flagged green.<\/p>\n\n\n

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The MultiMaster trim manager allows customers to generate multiple HDR and SDR trim deliverables from a single timeline. When enabled, the node editor will display additional layers for trim operations, allowing customers to color manage the timeline for each output standard and render each iteration in one go.<\/p>\n\n\n\n

The Magic Mask palette now features a render in place option, allowing customers to cache a tracked mask as a traveling matte node. The resulting matte will automatically link to their active node, allowing customers to continue grading and applying effects in real time, with significantly lighter processing.<\/p>\n\n\n\n

Nodes are listed in rows according to their number in the node graph. This typically results in a less crowded interface and allows for easier node management when adding, labelling, switching, locking, bypassing and removing nodes.<\/p>\n\n\n\n

Fusion now proudly features Krokodove, the popular and ever-growing library of compositing tools. The collection ranges from utility tools that improve productivity, to essential vector and data tools, to customizable 2D and 3D graphic templates that can be used throughout DaVinci Resolve.<\/p>\n\n\n\n

Building Fusion tools and templates is now even easier with the updated macro editor. Significant interface improvements make developing custom tools and templates faster and more intuitive. Use the newly supported inspector view to effortlessly set up, format and publish macros for immediate use.<\/p>\n\n\n\n

The Fairlight Animator modifier connects Fusion to Fairlight\u2019s audio engine, enabling automatic animation based on audio analysis. The audio levels from timeline clips or media pool sources are used to drive the control of parameters such as eyes and lips giving customers dynamic animation.<\/p>\n\n\n\n

The USD toolset has been updated to USD SDK 25.11 with Hydra 2.0 API for the Storm renderer. This gives VFX artists an improved Fusion USD environment, with support for 3D matte objects and textures, USD Texture Projector and Catcher, plus global in and out controls for the USD loader.<\/p>\n\n\n\n

To optimize Fairlight timeline space, customers can now assign audio tracks to a folder and collapse into a single composite view. When collapsed, mini rectangles represent the folder contents, indicating the number and duration of the contained clips. Expand a folder to access to individual tracks.<\/p>\n\n\n

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Apple Immersive\u2019s powerful image processing now includes support for foveated rendering for improved playback and enhanced viewer experience. Foveated rendering simulates human vision by prioritizing high-resolution rendering only where customers are looking, reducing GPU workload in peripheral vision.<\/p>\n\n\n\n

DaVinci Resolve 21 features the most comprehensive support for immersive tools and workflows to date. The standard immersive option in the master project settings allows customers to work with any supported immersive formats for delivery to platforms, such as Meta Quest and YouTube VR.<\/p>\n\n\n\n

It is now possible to orient immersive media using spherical Panomap rotation for more intuitive pitch, tilt, pan, yaw and roll adjustments. Additionally, it is now possible to apply ILPD retargeting data in the Fusion page, allowing for more advanced stereoscopic media handling and compositing.<\/p>\n\n\n\n

The new Picture in Picture Resolve FX allows customers to quickly resize and reposition a video clip over the top of another clip as a floating frame. Perfect for presentations, reviews and reaction videos. Customers can adjust parameters such as size, placement, frame rounding, drop shadow and many more.<\/p>\n\n\n\n

IntelliScript now supports Final Draft and plain text screenplay formats, allowing customers to assemble timelines quickly. Upon import, it compares the script text to the original transcribed audio and creates a cut of the scene. Customers can then fine tune the result using standard editing tools.<\/p>\n\n\n\n

New media pool columns help further improve media management. Access the new rating and tagging parameters in the shot and scene category of the metadata panel. Customers can rate clips on a five star rating system, or use the tags Good Take, Untagged, Rejected to filter optimal takes and performances.<\/p>\n\n\n\n

“The new Photo page in DaVinci Resolve 21 brings Hollywood\u2019s most advanced color tools to still photography for the first time,” said Grant Petty, Blackmagic Design CEO. “Professional colorists and photographers now have access to the full DaVinci color toolset and are able to build complex grades in a node based workflow that goes far beyond the layer based approach. They can also use all the DaVinci AI tools, ResolveFX and FusionFX and collaborate globally in real time. It\u2019s going to be amazing to see creativity flourish with these tools”<\/p>\n\n\n

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DaVinci Resolve 21 Features<\/p>\n\n\n\n