{"id":2591,"date":"2016-10-20T19:36:14","date_gmt":"2016-10-20T17:36:14","guid":{"rendered":"http:\/\/www.samdb.co.za\/blogs\/?p=2591"},"modified":"2016-10-20T19:36:14","modified_gmt":"2016-10-20T17:36:14","slug":"the-taac-presents-split-signs","status":"publish","type":"post","link":"https:\/\/www.samdb.co.za\/blogs\/blog\/2016\/10\/20\/the-taac-presents-split-signs\/","title":{"rendered":"The TAAC Presents Split Signs"},"content":{"rendered":"<p>Split Signs is a double bill performance at the Theatre Arts Admin Collective featuring exciting new work by Julia de Rosenwerth and Adriana Jamisse. These young dance artists are working towards a language of movement and improvisation that is exploratory and different.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2593\" src=\"https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_and_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?resize=400%2C398\" alt=\"split_signs-julia_de_rosenwerth_and_adriana_jamisse_photo_by_alessandra_griffin\" width=\"400\" height=\"398\" srcset=\"https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_and_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_and_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_and_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Both de Rosenwerth and Jamisse have worked with award winning choreographer Nicola Elliot. Elliot was one of the Theatre Arts Admin Collective\u2019s Emerging Theatre Directors Bursary recipients in 2012.<\/p>\n<p>Split Signs is a unique collaboration between artists of dance, photography and design. Friends and colleagues shared skills and expertise as they worked towards creating a production that is multidisciplinary and multidimensional.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2592\" src=\"https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?resize=300%2C450\" alt=\"split_signs-julia_de_rosenwerth_adriana_jamisse_photo_by_alessandra_griffin\" width=\"300\" height=\"450\" srcset=\"https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.samdb.co.za\/blogs\/wp-content\/uploads\/2016\/10\/Split_Signs-Julia_de_Rosenwerth_Adriana_Jamisse_Photo_by_Alessandra_Griffin.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>The first work Split is a solo piece choreographed and performed by de Rosenwerth and directed by Jamisse. \u201cThis work emerged from an exploration of significant childhood memories,&#8221; says de Rosenwerth. \u201cI recognised a particular uneasiness I felt toward them and in response, through movement and costume, I began to purposefully invert, destabilise and deform my own female body. I became interested in the different political, gender-based and sexual readings that can arise from seeing a female body constantly upside down.<\/p>\n<p>\u201cAs a womxn, I often experience a rift between knowing my own subjective complexity and continuously being objectified (both by myself and others). This is a result of the male-dominant, hyper-sexualised and hyper-image conscious society that I find myself in. A kind of doubleness or SPLIT in the experience of myself and how I relate to my body is created. I explore this in the work which began on a residency with The Forgotten Angle Theatre Collaborative in 2016.\u201c<\/p>\n<p>Fit of Peak is a duet which follows Split. This is choreographed and performed by de Rosenwerth and Jamisse.<\/p>\n<p>\u201cOur duet arose from an investigation into how breath, rhythm and voice could seed a movement vocabulary,\u201c de Rosenwerth continues. \u201cWe chose not to investigate a theme or concept at first, but allowed something to emerge from our bodies. This introduced a tension between being intuitive in our tasks and creating meaning for an audience. Due to our positionality as friends, womxn and artists, what arose from our process was a desire to express frustration and anger, free our sensuality and physicalise our personal relationship. As a result the work has a lyricism that emphasises our moving bodies, but does not neglect our personal politics and interactions.&#8221;<\/p>\n<p>Jamisse adds to the conversation; \u201cFit of Peak is a multi-layered duet between two people who have been through a lot together and cultivate each other positively on a daily basis, regardless. It is an investigation of our internal and individual struggles while together, while holding and being held, and also while in conversation with each other.&#8221;<\/p>\n<p>During the staging of Split Signs there will also be photography on display by Alessandra Griffin.<\/p>\n<p>The collective\u2019s innovative ANY BODY ZINE will also be available for purchase during the run. This is a self-produced collaborative project featuring engaging content around dance, bodies and movement. It was created by Nicola van Straaten, Kopano Maroga and Julia de Rosenwerth.<\/p>\n<p>Split Signs runs from 26th &#8211; 28th October at 8pm at the Theatre Arts Admin Collective<\/p>\n<p>R70\/ R50 (students)<\/p>\n<p>Cash at the door or EFT booking: email <a href=\"mailto:adjcollective@gmail.com\" target=\"_blank\">adjcollective@gmail.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Split Signs is a double bill performance at the Theatre Arts Admin Collective featuring exciting new work by Julia de Rosenwerth and Adriana Jamisse. These young dance artists are working towards a language of movement and improvisation that is exploratory and different. Both de Rosenwerth and Jamisse have worked with award winning choreographer Nicola Elliot.&hellip; <a class=\"more-link\" href=\"https:\/\/www.samdb.co.za\/blogs\/blog\/2016\/10\/20\/the-taac-presents-split-signs\/\">Continue reading <span class=\"screen-reader-text\">The TAAC Presents Split Signs<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2591","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/2591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/comments?post=2591"}],"version-history":[{"count":0,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/posts\/2591\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/media?parent=2591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/categories?post=2591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.samdb.co.za\/blogs\/wp-json\/wp\/v2\/tags?post=2591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}